French Suites and Selected Pieces

Composer: Johann Sebastian Bach, Henry Purcell, William Croft
Perfomer(s): Thurston Dart
Record Label and Number: ISMERON, JMSCD 4

This CD brings together exceptional compositions from three eminent European composers – Johann Sebastian Bach, Henry Purcell, and William Croft. The compositions range in both tonality and thematic scope from the stately sophistication of Bach’s French Suites to the vibrant and animated renditions of Purcell’s New Irish Tune and Rigadoon in C major. Thurston Dart showcases his mastery of the clavichord throughout the CD.

Dart’s rendition of the French Suites has a crisp, crystal symphony of notes that beautifully captures the essence of Bach’s counterpoint. His performance gives masterful attention to each subtle nuance, harpsichord-like inflection, and the complex, embroidered textures inherent in Bach’s music. His interpretation nicely merges the intellectual rigour of the music with its inherent emotional intensity.

The Purcell selection sways from the serene melancholy in the Minuet in D minor and Air in D minor to the rapidly paced Rigadoon in C major. Dart’s treatment of Sefauchi’s Farewell exudes a resigned sadness, painted with delicate articulation and sensitive touch. His Ground in C minor is equally touching, rendered with a soulful air that truly captures the haunting beauty of Purcell’s composition.

Finally, the lone piece from William Croft, a Ground, is an example of what Dart can extract even from the simplest of works. Dart’s interpretation of the piece is meticulous and thoughtful, and he communicates a refined sense of graceful proportion that resides in high contrast to the flamboyant classical manifestations of his contemporaries.

Recorded around January 1961, despite the relative old age of this recording, the sound quality remains impressively clear and well-balanced, a testament to the outstanding technical standards of the period.

For lovers of early music and clavichord performances, this CD is a worthy addition to any collection, demonstrating Dart’s exceptional musical intelligence and profound understanding of the composers he interprets. As with many works of this era, one has to peel back the layers and really listen to appreciate the depth and mastery – Dart, acting as our guide, makes this task not only possible but thoroughly enjoyable.

Tom Fasano has been writing reviews of classical music recordings for the past quarter century. He's finally making them public on this blog.