Composer: Johann Sebastian Bach
Performer: Robert Cohen
Record Label: Regis Records
Record Number: RRC 2001
Record Year: 1990
Review Time: [145:54]
This CD release captures the application of Robert Cohen’s profound musicianship to the enigmatic complexity of Bach’s Cello Suites. The 1990 recording issued by Regis Records (RRC 2001), runs for a total of 145 minutes and 54 seconds, providing a comprehensive exploration of these significant works in the realm of solo string music.
Cohen’s performance takes us on a journey through Bach’s suites, each unique in character yet unified in their exploration of the technical and emotional capabilities of the cello. The recording vividly captures the nuances of Cohen’s interpretation, honoring the purity of Bach’s music compositions that painstakingly pushed the cello’s range to its extremities.
The first suite in G Major sets the tone with Cohen deftly handling the intricate staircase-like harmonic progression of the Prelude, before transitioning seamlessly into the vibrant ‘Allemande.’ The deliberate pacing in the ‘Courante’ is a testament to Bach’s intricate polyphony and Cohen effectively maintains an impressive momentum throughout.
There’s a depth to Cohen’s expression in these performances, perhaps most apparent in the D minor suite. The deeply resonant ‘Sarabande’ is notably poignant, Cohen’s mature phrasing effectively harnessing the cello’s voice to convey a gamut of raw human emotions.
Sound quality in this recording is superb, lending an intimate feel to the listening experience. Cohen’s precise articulation of passages and poignant silences are presented clearly, adding to the emotional depth of these masterpieces. The recording takes into account the auditory aesthetics of the music, producing a musical spectacle that tips its hat to historical authenticity while resonating with contemporary tastes.
One critique centers on the tempo. While significant attention is given to the slower movements, some of the faster moments seem somewhat rushed, thereby compromising on detail and nuance. Also, there’s a sense that Cohen’s performance could have benefited from a slightly looser rhythmic interpretation in a few places to breathe more life and spontaneity into the dance movements.
Overall, this recording is a fine addition to the many interpretations of Bach’s Cello Suites. Robert Cohen’s unique tonal qualities and sensitive approach to phrasing work well with Bach’s complex music, make this a commendable recording for both seasoned listeners and those newly discovering Bach’s Cello Suites. However, as is the case with any deeply personal interpretation of classical works, the extent to which listeners enjoy this recording will likely rest on their individual preferences for pacing and interpretative freedom.
Despite these minor quibbles, there’s no denying Cohen’s commitment to these compositions and the musical insight that he brings to each Suite. This edition gives listeners an opportunity to understand and appreciate Bach’s Cello Suites from a slightly different angle and thus extends the ongoing discourse around these timeless musical works.
