Composer: André Previn
Works: Diversions, Sallie Chisum, Vocalise, The Giraffes Go to Hamburg, Three Dickinson Songs
Performers: Barbara Bonney (soprano), Renee Fleming (soprano), Moray Welsh (cello), Wiener Philharmoniker, London Symphony Orchestra, André Previn (conductor and piano)
Recording: Recorded 5/2000 in Musikverein, Wien (Diversions), 5/2000 in the Academy of Arts & Letters, New York (Giraffes, Songs), 6/2000 in Abbey Road Studios, London (Sallie and Vocalise)
Label: Deutsche Grammophon
André Previn’s “Diversions” and accompanying works present a compelling tapestry of late 20th-century orchestral music, blending a rich melodic sensibility with a contemporary harmonic language that reflects his multifaceted career. Composed in 1999 for the Vienna Philharmonic, “Diversions” premiered in January of the following year, encapsulating Previn’s distinctive ability to weave storytelling through orchestral color. The collection also includes the orchestral versions of “Vocalise” and “Sallie Chisum,” alongside the delightful “The Giraffes Go to Hamburg” and the “Three Dickinson Songs,” each showcasing Previn’s adeptness in vocal and instrumental writing.
The performance, led by Previn himself—both at the podium and as a pianist—benefits from an exceptional assembly of talent. The Wiener Philharmoniker’s rendition of “Diversions” is particularly striking; the orchestra’s lush sound is complemented by intricate solo passages for various instruments, including the clarinet and horn, which are executed with remarkable finesse. The work’s first movement unfolds with an evocative prologue, transitioning seamlessly into a slow passacaglia that invites introspection before exploding into a vivacious fast section. This structural variety keeps the listener engaged, as does the evolving interplay between orchestral textures and thematic material.
Barbara Bonney and Renee Fleming bring sensitivity and nuance to their respective vocal works. Bonney’s interpretations of “Vocalise” and “Sallie Chisum” are marked by a lyrical expressiveness that resonates deeply, while her technical prowess allows for a seamless transition between the delicate and the dramatic. Fleming, too, shines in “The Giraffes Go to Hamburg” and “Three Dickinson Songs,” where her warm tone and interpretative depth breathe life into Previn’s settings. The collaboration between the soprano and the orchestra is particularly noteworthy in the Dickinson songs, where the orchestral fabric enriches the text’s emotional landscape.
From a technical standpoint, the recording quality is exemplary, typical of Deutsche Grammophon’s high standards. The clarity of the orchestral textures and the intimacy of the vocal lines have been achieved through meticulous engineering, allowing each instrument’s character to emerge distinctly. The live recordings, supplemented with patching to eliminate audience noise, maintain an organic authenticity that enhances the listening experience.
Comparatively, Previn’s orchestral works stand out against the backdrop of contemporary compositions. While other composers may delve into avant-garde techniques, Previn’s approach remains accessible, offering an inviting entry point for both seasoned listeners and newcomers alike. The charm and wit of “The Giraffes Go to Hamburg,” with its playful narrative derived from Karen Blixen’s writing, exemplifies his ability to marry art with entertainment, inviting reflection while providing enjoyment.
This recording is a testament to Previn’s enduring legacy as a composer and conductor, showcasing not only his musical versatility but also the high caliber of performance he inspires. The synergy between the orchestras and the vocalists under his direction creates an invigorating dialogue that breathes life into each piece. The disc is an essential addition to any collection, appealing to those who appreciate the intersection of classical tradition and modern sensibility. Highly recommended for its artistic merit and engaging performances.
