Composer: Carl Maria von Weber
Works: Peter Schmoll and his Neighbours
Performers: Hagen Philharmonic Orchestra/Gerhard Markson
Recording: Hagen, 1993
Label: MARCO POLO 8.223592-3
Carl Maria von Weber, a pivotal figure in the development of German Romantic opera, composed Peter Schmoll at the tender age of fifteen. This early work, largely overshadowed by his later masterpieces like Der Freischütz and Oberon, reveals a youthful exuberance and an engaging melodic gift that harkens back to the lighter operatic traditions of Mozart and early Schubert. The opera, based on a novel by Cramer, explores themes of friendship and reconciliation amidst the backdrop of societal upheaval, yet suffers from a rather uninspired libretto that fails to elevate the music to its potential.
The performance by the Hagen Philharmonic Orchestra under Gerhard Markson is characterized by a buoyant energy that suits Weber’s melodic lines. The orchestra’s playing is crisp and well-articulated, particularly in the enchanting woodwind passages that punctuate the score, such as in the charming duet at track 8, where a rippling motif creates a lively dialogue between the voices. Markson’s interpretation accentuates the work’s inherent charm, with a deft balance between the orchestral color and vocal lines that allows the singers to shine without being overwhelmed.
Technically, the recording quality is noteworthy, offering a clear and well-defined sonic landscape. The engineering captures the warmth of the strings and the bright textures of the woodwinds, providing a satisfying listening experience. The sound stage is well-balanced, allowing for the intricate interplay between the orchestra and the vocal ensemble to emerge vividly. The brief spoken dialogue, averaging about 18 seconds, may limit understanding for non-German speakers, yet it is integrated seamlessly into the musical fabric, creating a natural flow that does not hinder enjoyment of the opera’s melodic content.
Comparing this recording to others of Weber’s lesser-known operas, it stands out for its clarity and the vitality of its interpretations. While some recordings may prioritize a modern sensibility, this performance embraces the opera’s historical context and youthful spirit, offering a refreshing revival that feels both authentic and engaging. The multiple layers of melody in Weber’s arias, exemplified in track 15 with its rich thematic development, showcase the composer’s early mastery of operatic form.
The Peter Schmoll recording by the Hagen Philharmonic is a delightful rediscovery of Weber’s early genius. It balances historical authenticity with vibrant performance, rendering a work that is both charming and musically rich. This release not only enriches the understanding of Weber’s oeuvre but also invites listeners to appreciate the youthful creativity that foreshadowed his later successes. The revival of this charming opera is a testament to the enduring power of Weber’s music and an essential addition to the catalog of early Romantic operatic works.
