Composer: William Walton
Works: At the Haunted End of the Day
Performers: Sir William Walton, Lady Susana Walton, Sir Laurence Olivier, Sacheverell Sitwell, Ralph Kirshbaum (cello), Iona Brown (violin), Yehudi Menuhin (viola), Julian Bream (guitar), Yvonne Kenny (soprano), Simon Rattle (conductor), The Philharmonia Orchestra, John Shirley-Quirk (bass-baritone)
Recording: DECCA DVD 074 150-9
Label: DECCA
William Walton’s musical identity is intricately woven into the fabric of 20th-century British composition, marked by a distinctive style that resonates with both exuberance and lyrical introspection. “At the Haunted End of the Day,” directed by Tony Palmer, serves as a compelling exploration of Walton’s life and oeuvre, presenting a rich tapestry of his works alongside personal anecdotes and critical reflections from contemporaries. This 1981 documentary, made shortly before Walton’s death, captures not only the essence of his music but also the personality behind it, revealing a man whose wit and vulnerability inform the emotional depth of his compositions.
The documentary features a carefully curated selection of Walton’s works, from the poignant Cello Concerto to the vibrant Violin and Viola Concertos, performed by distinguished soloists such as Ralph Kirshbaum and Yehudi Menuhin. The excerpts are expertly chosen to showcase Walton’s versatility, encapsulating his ability to balance a variety of styles—from the brashness of “Portsmouth Point” to the solemnity of “Belshazzar’s Feast.” The performances are delivered with a commendable level of technical precision and interpretative insight, particularly evident in Menuhin’s eloquent phrasing and Kirshbaum’s rich, singing tone. Simon Rattle conducts The Philharmonia Orchestra with a keen understanding of Walton’s rhythmic vitality, bringing an infectious energy to the orchestral passages while allowing the soloists to shine.
Palmer’s directorial approach is notably effective; he refrains from overshadowing the music and instead allows Walton and his collaborators to narrate the story of his life. This method creates an intimate atmosphere where the viewer feels connected to Walton’s journey from his modest beginnings in Bolton to his artistic flourishing in Italy. The commentary by Sir Laurence Olivier adds a layer of gravitas, his observations on the sensuality and emotional resonance of Walton’s music echoing the composer’s own reflections on his work. Olivier’s assertion that Walton’s music is “strongly affirmative about love” underlines the intrinsic romanticism that permeates many of his compositions, particularly in the lyrical passages of “Troilus and Cressida,” where Yvonne Kenny’s performance of “At the haunted end of the day” captures a haunting beauty.
The engineering of the DVD is commendable; the balance between the orchestra and soloists is well managed, ensuring that the nuances of Walton’s orchestrations are not lost. The visual presentation complements the musical experience, with thoughtfully integrated archival footage and interviews that enrich the narrative. The sound quality, while reflective of its era, remains clear and vibrant, allowing listeners to appreciate the full spectrum of Walton’s orchestral color.
Comparatively, while there are numerous recordings of Walton’s works available, few encapsulate the personal connection that this documentary fosters. Other notable recordings may offer superior technical execution or more polished ensemble playing, yet they often lack the intimate portrayals of Walton’s character and creative process that Palmer’s film captures so vividly. The emotional weight of Walton’s music is rendered palpable through the personal anecdotes included, enhancing the viewing experience beyond mere auditory appreciation.
The synthesis of Walton’s biography with his musical output in “At the Haunted End of the Day” offers an enlightening perspective on one of Britain’s most cherished composers. The thoughtful selection of excerpts, combined with insightful commentary from those who knew him, creates a documentary that is as educational as it is enjoyable. This DVD stands as a significant tribute to Walton’s legacy, making it an essential viewing for both newcomers to his music and seasoned aficionados alike.
