Composer: Antonio Vivaldi
Works: Violin Concerto in C major, RV 187; Violin Concerto in D major, RV 209
Performers: Pinchas Zukerman (violin), Jose-Luis Garcia (violin, in Bach Double Concerto)
Recording: RCA Red Seal 74321 68002
Label: RCA
Antonio Vivaldi, a luminary of the Baroque era, is celebrated for his innovative compositions that blend virtuosity with vivid imagery. His concertos, particularly for violin, form a cornerstone of the repertoire, showcasing not just technical flair but also emotional depth. This recording, featuring performances by Pinchas Zukerman and the English Chamber Orchestra, brings to light two lesser-known Vivaldi concertos alongside a selection of Bach’s celebrated works, offering listeners a unique juxtaposition of styles and eras.
Zukerman’s interpretation of the Vivaldi concertos is marked by a modern sensibility that, while stylistically aware, opts for contemporary pitch and instrumentation rather than historically informed practices. This choice is evident in the way he projects the solo violin—often dominating the orchestral textures, lending an almost larger-than-life quality to his sound. The engineering decisions position Zukerman prominently in the mix, which sometimes obscures the orchestra’s contributions. However, this balance does allow for a clear articulation of Vivaldi’s intricate passages, where the soloist’s virtuosic runs and playful dialogues with the ensemble shine through. The lively Allegro of the Violin Concerto in C major, RV 187, exemplifies this, with Zukerman’s bowing technique highlighting the composer’s characteristic energy and rhythmic drive.
The technical prowess displayed by Zukerman is complemented by the fine playing of Jose-Luis Garcia, particularly in the Bach Double Concerto. Their partnership reflects a deep understanding of the dialogue intrinsic to the work, where each violinist’s voice emerges with equal importance, creating an engaging interplay that Bach would have undoubtedly cherished. The adroit phrasing and seamless coordination in the second movement demonstrate their ability to blend while maintaining individual expression—a hallmark of exemplary chamber music.
Sound quality in this remastered edition is commendable, allowing the listener to appreciate the rich sonorities of the English Chamber Orchestra alongside Zukerman’s vivid violin lines. The orchestral tuttis are full-bodied and resonant, providing a satisfying backdrop to the soloist’s explorations. However, the decision to print the accompanying booklet on patterned grey paper is puzzling, as it detracts from the accessibility of the information, an unfortunate oversight in an otherwise well-crafted release.
Despite the brilliance of the Bach concertos, the two Vivaldi pieces, while skillful, do not reach the same heights of inspiration. They serve as an enjoyable counterpoint but lack the depth of emotional narrative found in Bach’s works. This recording, nonetheless, offers a valuable opportunity to experience Vivaldi’s craftsmanship alongside the genius of Bach, inviting listeners to explore the contrasts and connections between these two titans of classical music.
Zukerman’s performance, with its blend of technical virtuosity and a modern interpretive lens, makes for an engaging listening experience. The recording stands as a testament to the enduring appeal of both composers, inviting renewed appreciation for Vivaldi’s intricate concertos while showcasing the potent musical dialogue that characterizes the Baroque era. Overall, this release is a worthwhile addition to the catalog that enriches both the Vivaldi and Bach discographies, appealing to both seasoned aficionados and newer listeners alike.
