Composer: Heitor Villa-Lobos, Carlos Guastavino, Modesta Bor, Andres Sas, Ernesto Lecuona, Lucas Estrada, Antonio Maria Valencia, Alberto Ginastera
Works: Modinhas e Canções: Canção do Marinheiro, Lundú da Maqueza de Santos, Cantilena, A Gatinha Parda, Nhapopé, La Rosa y el Sauce, Bonita Rama de Sauce, Se equivocó la Paloma, Triptico sobre Poesia Cubana, Sei Cantos Indios del Peru, Canción del amor triste, Señor Jardinero, La señora Luna, Quiero ser hombre, Siempre, La Rosa y tu, Tres dias hace que Nina dormida en su lecho está, Cinco Canciones Popolares Argentinas
Performers: Marina Tafur (soprano), Nigel Foster (pianoforte)
Recording: St. Paul’s Church, New Southgate, London, date not given
Label: LORELT LNT 112
The selection of songs from Latin America presented in this recording invites listeners into a rich tapestry of cultural expression, showcasing the works of notable composers from the region. Each piece serves as a window into the vibrant musical idiom shaped by diverse influences, from indigenous traditions to European classical forms. Heitor Villa-Lobos, often heralded as the quintessential Brazilian composer, opens the collection with his folk-inspired melodies, while figures like Carlos Guastavino and Alberto Ginastera represent the continued evolution of Latin American art song through the 20th century. This recording, performed by Colombian soprano Marina Tafur and pianist Nigel Foster, is both an exploration and a celebration of this repertoire.
Tafur’s vocal technique is immediately notable for its distinctive use of a predominantly non-vibrato sound. This choice imparts a folkloric quality to her performance, aligning well with the rustic character of many of the songs, particularly those by Villa-Lobos and Lecuona. In “Quiero ser hombre,” the lower register is particularly compelling, where Tafur’s tone is warm and inviting. However, as she ascends to higher pitches, notably the Gs and A flats, the voice can take on a constricted quality that detracts from the overall expressiveness of the music. This contrast raises questions about the suitability of the repertoire for her vocal technique; indeed, certain pieces may have benefitted from transposition to accommodate a fuller sound in the upper range.
Nigel Foster’s piano accompaniment provides a sturdy foundation throughout, characterized by its sensitivity and rhythmic vitality. The interplay between voice and piano is well-balanced, though at times one wishes for greater dynamic contrast, particularly in more dramatic moments. For instance, in the opening track “Canção do Marinheiro,” the piano could have underscored the lyrical content more vividly, enhancing the emotional weight of Tafur’s delivery. The recording quality is generally crisp, capturing the nuances of both voice and instrument, though some passages could benefit from a more pronounced presence of the piano to achieve a more cohesive sound.
The choice of repertoire is commendable, encompassing a range of styles and moods that reflect the richness of Latin American song. Villa-Lobos and Ginastera stand out as the most significant figures, their works melding folk elements with classical sophistication. Comparatively, Guastavino’s lighter compositions, while charming, may lack the depth found in the more substantial offerings from Villa-Lobos and Ginastera. The inclusion of lesser-known composers such as Modesta Bor and Andres Sas is a welcome addition, although their works might require further exploration to fully appreciate their contribution to the canon of Latin American music.
Challenges in Tafur’s vocal execution should not overshadow the overall merit of this recording. The commitment to presenting this repertoire is laudable, as is the effort to introduce listeners to these often-overlooked compositions. While some interpretative choices may raise eyebrows, Tafur’s unique sound brings a fresh perspective to these songs, inviting both admiration and constructive critique. The recording serves as a valuable resource for those interested in the evolving landscape of Latin American art song, offering glimpses into the emotional and cultural narratives embedded within these works. The combination of thoughtful programming and earnest performance ultimately affirms the importance of this music, making it a worthwhile addition to the growing catalog of Latin American classical recordings.
