Composer: Various
Works: Story of Christmas, including selections by Robert Cowper, Giovanni Bassano, William Byrd, John Tavener, and others
Performers: Monteverdi Choir, John Eliot Gardiner (conductor)
Recording: Church of St Peter and St Paul, Salle, Norfolk, May 1998
Label: Philips 462050-2
John Eliot Gardiner’s “Story of Christmas” offers a poignant and immersive experience that intertwines music and narrative, reflecting the traditions of the village nativity play that took place at Springhead, the Gardiner family home. This recording serves not only as a homage to Gardiner’s familial roots but also as a rich tapestry of seasonal music spanning various cultures and eras. The selection covers a spectrum of liturgical and folk traditions, from the serene plainsong of “Ave Maria, gratia plena” to the jubilant “Er ist ein Ros entsprungen,” encapsulating the essence of the Christmas story in a way that is both reverent and accessible.
The performance by the Monteverdi Choir under Gardiner’s direction is strikingly cohesive, characterized by a blend of precision and warmth. The choir exhibits impeccable tuning and blend, particularly evident in the polyphonic works of composers like Palestrina and Byrd. Palestrina’s “Alma Redemptoris Mater” emerges as a standout, showcasing the choir’s ability to navigate intricate counterpoint with clarity and balance. The way the voices intertwine to create an ethereal quality is nothing short of breathtaking. Gardiner’s interpretative choices emphasize the reflective nature of the pieces, allowing the listener to savor the harmonic richness without feeling rushed.
Technical execution throughout the recording is commendable. The choir’s diction is crystal clear, enabling the text’s narrative to resonate deeply with the listener. In “A spotless rose” by Herbert Howells, the smooth legato lines and delicate dynamics are executed flawlessly, inviting the audience into a contemplative space. The recording’s engineering captures the choir’s sound beautifully, balancing the rich tonal colors against the resonant backdrop of the church setting. The ambient acoustics lend a natural warmth that enhances the overall listening experience, making one feel as though they are part of the unfolding Christmas tableau.
Each section of the work, structured around key moments in the Christmas story, is thoughtfully curated. The inclusion of various carols and motets from different cultural backgrounds highlights the universality of the Christmas narrative. The transition into John Tavener’s “The Lamb” serves as a poignant culmination of the musical journey, its stark simplicity and profound text leaving a lasting impression. Moreover, the arrangement of “Past three a clock” by Charles Wood is a delightful surprise; its playful rhythms and harmonies inject a sense of joy that contrasts beautifully with the more solemn moments.
Gardiner’s dedication to the historical context of the music is evident, as he seamlessly blends folk traditions with liturgical compositions, creating a rich dialogue between the sacred and the secular. This recording may appeal to a niche audience, yet its profound musicality and meticulous production values render it a worthwhile endeavor for any lover of choral music. “Story of Christmas” stands as a testament to Gardiner’s artistry, capturing the essence of the holiday spirit with grace and sophistication. The depth of interpretation, combined with the vibrant performance quality, solidifies its place as a significant contribution to the Christmas repertoire.
