Composer: Frederik van Rossum
Works: Réquisitoire Op.28 (1973), Eloquences Op.39 (1980), Symphonie Concertante Op.11 (1966/67)
Performers: André De Groote (piano), Francis Orval (horn), National Orchestra of Belgium, Brian Priestman (conductor)
Recording: RENE GAILLY RG 86008 [51:55]
Label: BRILLIANT
Frederik van Rossum, born in 1939, emerges as a significant figure in contemporary classical music, particularly noted for his innovative orchestral works that reflect a dialogue between tradition and avant-garde techniques. This release presents a compelling survey of his orchestral output through three distinct compositions, each showcasing his evolving voice and the varied textures of his orchestration. The historical context for these works spans from the mid-1960s to the early 1980s, a period marked by significant experimentation in musical language and form.
The Symphonie Concertante Op.11 stands out as a crucial first foray into the concerto genre, originally commissioned by Flemish Radio and adapted from a larger orchestral conception. The piece is a vibrant tapestry of sound, where the horn and piano serve not merely as soloists but as integral voices within the orchestral fabric. The opening movement is characterized by its conflict-ridden motifs, which deftly interweave tension and resolution, while the slow movement delves into a reflective meditation, marked by poignant lyricism. The final movement bursts forth with exuberance, encapsulating a sense of jubilant celebration. The interpretation under Brian Priestman’s baton reveals a keen understanding of van Rossum’s intent, allowing the orchestral colors to shine through with clarity and vigor, though the recording’s age does impart a certain graininess to the sound.
Réquisitoire Op.28 showcases van Rossum’s command of brass and percussion, yielding a sonic landscape that is at once eerie and exhilarating. This work, awarded the First Prize at UNESCO’s 1981 International Composers Forum, utilizes a range of contemporary techniques, including glissandi that evoke a sense of menace and controlled aleatory that heightens the emotional stakes. The performance captures the intensity of the score, with the brass sections delivering a powerful presence that resonates with urgency. The engineering here is particularly noteworthy; the spatial dynamics of the recording allow for a full appreciation of the intricate interplay between instruments, an aspect that can sometimes be lost in lesser productions.
Eloquences Op.39, commissioned as a test piece for the Concours International de Cor, is a masterful exploration of the horn’s capabilities. The work functions effectively as a concerto, with its demanding passages highlighting the instrument’s lyrical and agile qualities. André De Groote’s performance exhibits remarkable technical prowess and an innate understanding of the work’s emotional nuances. The orchestral accompaniment, under Priestman’s direction, complements De Groote’s interpretation with a rich harmonic underpinning that is both supportive and challenging. The recording captures the subtleties of this dialogue beautifully, making the listener acutely aware of the diverse moods and expressions woven throughout the piece.
This collection not only serves as a testament to van Rossum’s compositional prowess but also highlights the exceptional interpretative skills of the performers. While the Symphonie Concertante exhibits signs of age in its recording quality, the performances remain vibrant and engaging, aligning with the spirit of the works. The overall sound engineering balances clarity and warmth, ensuring that each instrument’s voice contributes to the overarching narrative of the music.
Frederik van Rossum’s orchestral works, as presented in this recording, offer a rich exploration of contemporary musical language, reflecting a profound emotional depth and technical sophistication. The performances are compelling, showcasing the distinctive character of each piece while maintaining a unified sense of purpose. This release is a valuable addition to the discography of van Rossum, effectively illuminating his contributions to the orchestral repertoire and offering a rewarding listening experience for both seasoned enthusiasts and new audiences alike.