Tormis’ Choral Legacy: Anu Tali’s Evocative Direction with Estonian-Finnish Symphony Orchestra

Composer: Veljo Tormis (b. 1930), Claude Debussy (1868-1918), Jean Sibelius (1865-1957)
Works: Ocean, Swan Flight, La Mer, Swan of Tuonela
Performers: Estonian-Finnish Symphony Orchestra, Anu Tali (conductor)
Recording: Estonia Concert Hall, Tallinn, Estonia, July 2001, June 2001
Label: Finlandia

The Estonian composer Veljo Tormis, celebrated for his choral works that draw upon Estonia’s rich folk traditions, occupies a unique place within the 20th-century musical landscape. On this release, Tormis’s “Ocean” and “Swan Flight” are juxtaposed with the illustrious maritime imagery of Debussy’s “La Mer” and Sibelius’s “Swan of Tuonela.” This program not only highlights the distinctiveness of Tormis’s voice—imbued with folk elements and rich orchestration—but also underscores the intricate connections among these composers, particularly in their shared fascination with nature and its emotional resonance.

Anu Tali’s conducting of the Estonian-Finnish Symphony Orchestra reveals a commitment to clarity and expressive depth. The orchestra, comprised of a mix of nationalities, brings a youthful vigor to the performances, which is particularly evident in the opening movement of “Ocean.” Tormis’s suite, written for a theatrical context, effectively captures the emotional spectrum of maritime life, from the stormy, tumultuous seas to the serene, reflective moments. Tali’s pacing and attention to detail ensure that each of the six movements is sharply characterized. The “Sailor’s Farewell Dance” delights with its rhythmic vitality, while the “Snowstorm” paints a delicate aural tableau, showcasing the orchestra’s sensitivity and Tali’s nuanced direction.

The engineering of this recording deserves commendation, as the Finlandia engineers have skillfully captured the vibrant soundscape of the Estonia Concert Hall. The transparency of the recording allows for the subtleties of Debussy’s orchestration to shine, particularly in “La Mer.” Tali’s interpretation breathes new life into this classic, offering a performance that balances the work’s energetic drive with moments of delicate introspection. The middle movement, “Jeux de Vagues,” emerges as a high point, where the interplay of instruments creates a shimmering effect, evoking a sense of wild abandon that is both thrilling and beautifully textured.

Sibelius’s “Swan of Tuonela,” with its haunting cor anglais solo, rounds out the program. While Pirjo Leppänen’s performance of the cor anglais is somewhat raw, it brings an emotional weight that complements Tali’s sensitive conducting. The orchestral backdrop is lush and atmospheric, enhancing the otherworldly quality of Sibelius’s vision. This performance emphasizes the interplay of light and shadow, a hallmark of Sibelius’s style, and serves as a fitting conclusion to this compelling collection.

This disc stands as a testament to the artistic potential of Anu Tali and the Estonian-Finnish Symphony Orchestra. They not only deliver performances that resonate with youthful energy but also exhibit a profound understanding of the repertoire. The careful programming, which links Tormis’s works with those of Debussy and Sibelius, reveals the intricate threads that connect these composers. Tali’s interpretative choices, combined with the orchestra’s technical prowess, make this recording a significant contribution to the contemporary classical landscape. The disc is not merely a showcase of emerging talent but a nuanced exploration of musical relationships, poised to attract both seasoned enthusiasts and newcomers alike.

Tom Fasano has been writing reviews of classical music recordings for the past quarter century. He's finally making them public on this blog.