Composer: Gustav Mahler
Works: Symphony No. 5, Das Lied von der Erde
Performers: London Philharmonic Orchestra, Klaus Tennstedt (conductor), Agnes Baltsa (mezzo soprano), Klaus König (tenor)
Recording: 1978, 1982-84, No. 1 Studio, Abbey Road, London
Label: EMI CLASSICS 5 74849 2 [2CDs: 75.40 + 66.56]
Gustav Mahler’s Symphony No. 5 represents a pivotal moment in the composer’s oeuvre, bridging the late Romantic tradition with a newfound modernity that speaks to the complexities of human existence. Composed in a time of personal turmoil and existential reflection, the Fifth Symphony is imbued with emotional depth and architectural grandeur, culminating in one of the most moving Adagietto movements in the symphonic repertoire. This reissue of Klaus Tennstedt’s interpretations of both the Fifth Symphony and Das Lied von der Erde serves not only as a testament to his artistry but also as a significant historical document, capturing the essence of Mahler’s music during an era when the London Philharmonic Orchestra flourished under his direction.
Tennstedt’s approach to the Fifth Symphony is notable for its clarity and emotional intensity. The opening trumpet fanfare, which heralds the unfolding drama, is delivered with a precision that commands immediate attention. The ensuing funeral march is stark and poignant, with the strings conveying a sense of lamentation that contrasts effectively with the preceding exuberance. This juxtaposition of contrasting moods is a hallmark of Mahler’s technique, and Tennstedt navigates these transitions with an understanding that enhances the symphony’s narrative arc. The second movement, marked “With the utmost vehemence,” benefits from a meticulous handling of dynamics, ensuring that the tension builds incrementally, leading to a cathartic release as the movement draws to a close.
The Scherzo emerges as a showcase for the orchestra’s virtuosity. The LPO’s brass section is particularly commendable, delivering crisp articulations that underscore Mahler’s rhythmic complexity. However, in the final coda, the orchestral textures risk becoming congested, a challenge inherent in Mahler’s dense orchestrations. This aspect of the recording, while reflective of its age, raises questions about the engineering choices made during the remastering process. Yet, the Adagietto remains a highlight; here, Tennstedt’s slow, tender interpretation captures the movement’s yearning quality, revealing a spectrum of dynamic shadings that resonate deeply with Mahler’s intentions.
Das Lied von der Erde, although recorded at a different time, complements the symphonic experience beautifully. Tennstedt’s interpretation reveals a profound understanding of the work’s symphonic structure, effectively treating it as a symphony rather than merely an orchestral song cycle. Agnes Baltsa’s mezzo-soprano shines throughout, her voice rich and expressive, while Klaus König’s tenor, though occasionally strained, contributes an emotive layer that enhances the work’s dramatic contours. The orchestral playing is of the highest caliber, with Tennstedt’s deft touch allowing the myriad instrumental colors to emerge with clarity, particularly in the lighter inner movements which showcase Mahler’s penchant for chamber-like orchestration.
The recording quality, thanks to Simon Gibson’s remastering, preserves the lush sonorities of the original sessions while enhancing the clarity of the orchestral textures. The balance between soloists and orchestra is effectively maintained, allowing the intricate interplay of Mahler’s instrumentation to shine through. While this recording may not dethrone Barbirolli’s celebrated version of the Fifth Symphony, Tennstedt’s interpretations stand as compelling alternatives that are both technically accomplished and emotionally resonant.
Tennstedt’s partnership with the London Philharmonic Orchestra in these performances exemplifies a deep musical synergy, making this reissue a vital addition to the Mahler discography. The interpretive choices made by Tennstedt reveal an artist deeply attuned to the emotional landscape of Mahler’s music, rendering both works as profound explorations of life, death, and transcendence. The combination of stellar performances and thoughtful direction results in a significant listening experience that is recommended for both seasoned Mahler aficionados and those newly exploring his expansive universe.
