Composer: Johan Svendsen (1840-1911)
Works: Symphony No. 1 in D major, Op. 4; Symphony No. 2 in B-flat major, Op. 15
Performers: Norwegian Radio Orchestra, conducted by Ari Rasilainen
Recorded at: NRK Broadcasting Hall, Oslo, Norway in June 1996
Label: TELDEC APEX 0927 40621 2
Duration: 71:10
Release Date: November 2001
Johan Svendsen, a composer often overshadowed by his contemporaries, emerges in this recording of his first two symphonies as a figure deserving of greater recognition within the tapestry of 19th-century orchestral music. The Norwegian Radio Orchestra, under the baton of Ari Rasilainen, presents these works with both flourish and fidelity, capturing the essence of Svendsen’s distinctive melodic voice and orchestral color.
The Symphony No. 1 in D major, composed in 1867, exhibits youthful exuberance and a fresh, lyrical quality that is particularly engaging in the first movement. The opening Allegro con brio is marked by a buoyant main theme that dances with vitality, reminiscent of the lively Norwegian folk idioms that pervade much of Svendsen’s oeuvre. Rasilainen’s interpretation deftly balances the orchestral textures, allowing the woodwinds to shine through, especially in the playful exchanges that punctuate the movement. The horn calls that punctuate this theme resonate with a rustic charm, establishing an intimate connection to the Norwegian landscape.
In contrast, the Symphony No. 2, completed in 1876, reflects a more mature compositional voice while maintaining the inherent tunefulness characteristic of Svendsen’s style. The opening Allegro un poco ma con spirito is notable for its thematic development and rich orchestration, yet it also reveals a tendency towards a somewhat conventional structure, as it frequently hints at a fugue that never fully materializes. This aspect of Svendsen’s writing, as noted in various analyses, can impart a feeling of stasis—a sentiment echoed in the outer movements of both symphonies. However, Rasilainen navigates these moments with a clear sense of momentum, ensuring the listener remains engaged.
The highlight of both symphonies undoubtedly lies in their respective scherzi, where Svendsen’s orchestral palette comes alive. The Scherzo of the first symphony explodes with rhythmic energy and wit, showcasing the orchestra’s woodwinds in a delightful display of virtuosity. The Norwegian Radio Orchestra’s woodwind section excels in these passages, executing the rapid exchanges with precision and a spirited exuberance that captures the essence of the traditional Halling dance. Similarly, the Scherzo of the second symphony builds upon this tradition, offering a comparable vivacity that underscores Svendsen’s ability to blend folk elements with classical form.
Rasilainen’s interpretative choices are generally effective, though one might wish for a deeper exploration of the contrasting lyrical themes found in the slow movements. The Adagio of the first symphony, while beautifully played, could benefit from a more pronounced sense of longing and introspection—qualities that are often inherent in Svendsen’s more reflective passages. The recording quality is commendable, with a clear balance that allows individual instrumental lines to emerge distinctly, enhancing the overall listening experience.
Comparatively, previous recordings of these symphonies, such as those by the Bournemouth Symphony Orchestra under Bjarte Engeset, have garnered significant acclaim. While Engeset’s interpretations possess a certain polish and fluidity, Rasilainen’s approach offers a more robust, earthy characterization that aligns closely with Svendsen’s Norwegian roots. This recording, thus, stands as a valuable addition to the discography of Svendsen’s works, bringing forth the vibrant orchestral textures and folk influences that define his symphonic idiom.
In conclusion, this recording of Johan Svendsen’s Symphonies Nos. 1 and 2 serves not merely as a testament to the composer’s ability to craft engaging orchestral works but also as a reminder of the rich musical landscape of the late 19th century. While Svendsen may not have claimed the prominence of Brahms or Bruckner, his symphonic contributions merit attention, particularly when delivered with such commitment and clarity as presented by Ari Rasilainen and the Norwegian Radio Orchestra. Thus, for both the seasoned enthusiast and the curious newcomer, this release provides a compelling entry point into Svendsen’s engaging, lyrical world.
