Composer: Jean Sibelius (1865-1957)
Works: Complete Symphonies and Selected Miscellaneous Works
Performers: Paavo Berglund, Helsinki Philharmonic Orchestra, Bournemouth Symphony Orchestra, Jorma Hynninen (baritone), Raili Kostia (soprano), Usko Vitanen (baritone), Taru Valjakka (soprano), Ida Haendel (violin)
Recording: Dec. 1970, Jan. 1972, May 1978, Guildhall, Southampton; various sessions, Culture Hall, Helsinki
Label: EMI
Jean Sibelius, a towering figure in the landscape of late Romanticism, continues to evoke a spectrum of interpretations that illuminate his complex musical language. This complete cycle of Sibelius’s symphonies, under the baton of Paavo Berglund, represents a significant milestone in the appreciation of Sibelius’s oeuvre, particularly in the context of a world grappling with the dichotomy of tradition and modernity during the late 20th century. The recordings, spanning a significant period from the early 1970s, present a comprehensive view of Sibelius’s symphonic evolution, capturing the essence of his stylistic development and philosophical depth.
Berglund’s interpretations are marked by a rigorous adherence to the structural integrity of Sibelius’s music. His reading of Symphony No. 1 in E minor, for example, showcases a deft balance between the work’s youthful exuberance and its underlying gravitas. The opening movement’s themes emerge with clarity, each phrase meticulously shaped to underscore the symphonic architecture. The second movement, with its lyrical lines, is rendered with a warmth that highlights the emotional core of Sibelius’s writing. Berglund’s tempos are judiciously chosen; his approach avoids any hint of indulgence, allowing the music to breathe naturally. The same can be said for Symphony No. 2 in D major, where the exhilarating drive of the finale contrasts beautifully with the poignant introspection of the preceding movements. The rhythmic vitality he instills in the Allegro moderato creates an infectious momentum that propels the symphony to its triumphant conclusion.
Technical aspects of the performance further enhance the listening experience. The orchestral playing exhibits a remarkable consistency, reflecting Berglund’s meticulous standards across both the Helsinki Philharmonic and Bournemouth Symphony Orchestra. The timbres and colors of the ensemble resonate with a rich yet disciplined sound that is particularly evident in the brass and woodwinds, where clarity does not come at the expense of warmth. The engineering of these recordings, while somewhat dated by today’s standards, possesses a charm that captures the ambiance of the concert halls. The digital remastering brings a depth and presence to the sound, though listeners may notice slight distortions during climactic moments. This, however, should not detract from the overall sonic experience, which is both satisfying and immersive.
The inclusion of selected miscellaneous works alongside the symphonies provides a broader perspective on Sibelius’s artistry. Pieces such as “Kullervo” and the “Karelia Suite” showcase a different facet of his compositional style, blending orchestral textures with choral elements. Berglund’s interpretation of “Kullervo” is particularly noteworthy; he navigates the work’s thematic contrasts with an unhurried pace that allows the emotional weight of the music to resonate fully. The vocalists, while varying in quality—Hynninen’s vibrato occasionally detracting from his otherwise compelling performance—add to the overall impact of the work. The recording of “The Oceanides” and “Finlandia” demonstrates Sibelius’s ability to evoke the natural world, with Berglund’s sensitivity to orchestral color creating vivid soundscapes.
The historical context surrounding these performances cannot be overlooked. Recorded during a period when Sibelius’s music was often overshadowed by the ascendance of Mahler, Berglund’s interpretations serve as a powerful reminder of Sibelius’s place in the symphonic canon. His interpretations resonate with contemporary relevance, as they highlight the composer’s intricate relationship with nature and the human experience. This is especially pertinent given the current climate discourse, where Sibelius’s evocation of the Finnish landscape feels more poignant than ever.
What emerges from this comprehensive set is a profound understanding of Sibelius’s artistic vision, articulated through Berglund’s insightful conducting. The consistency across the recordings, despite the varied orchestral forces and time frames, speaks to a deep musicality that transcends mere technical execution. Each symphony unfolds organically, with Berglund’s interpretations allowing Sibelius’s voice to shine through without overshadowing it with interpretive excess.
The cycle stands as a compelling entry point for new listeners and a valuable addition for seasoned aficionados. It encapsulates the evolution of Sibelius’s symphonic thought while simultaneously affirming Berglund’s stature as a conductor deeply attuned to the intricacies of the repertoire. The set not only serves as an essential collection for anyone seeking to understand Sibelius but also reaffirms the relevance of his music in the contemporary concert landscape.
