Composer: Johann Sebastian Bach
Works: Cantata BWV 61, Cantata BWV 147, Magnificat in D Major BWV 243
Performers: Christine Schäfer, soprano; Anna Korondi, soprano; Bernarda Fink, alto; Ian Bostridge, tenor; Christopher Maltman, baritone; Concentus Musicus Vienna; Nikolaus Harnoncourt
Recording: 2000, Kloster Melk Benedictine Monastery, Austria
Label: BRILLIANT
Johann Sebastian Bach’s contributions to sacred music, particularly through his cantatas and choral works, remain a cornerstone of the Western classical canon. The “Glorious Bach” DVD presents a live performance of three exemplary pieces: Cantata BWV 61, Cantata BWV 147, and the Magnificat in D Major BWV 243, all recorded in the acoustically rich environment of the Kloster Melk Benedictine Monastery. This setting not only enhances the auditory experience but evokes the historical and spiritual atmosphere in which Bach’s music was originally conceived.
Nikolaus Harnoncourt’s interpretation reflects a significant evolution in his approach to Bach’s cantatas. Initially adhering to a stricter, historically informed performance practice, Harnoncourt has embraced a broader palette in this recording, incorporating female voices and a larger orchestral ensemble. This divergence from his earlier work, notably his recordings with Gustav Leonhardt, is evident in the expansive sound of the Arnold Schoenberg Choir, which is bolstered by a robust orchestra of approximately thirty musicians. The performance benefits from Harnoncourt’s commitment to original instruments, lending an authenticity that resonates with contemporary audiences while still being accessible.
The individual performances by the soloists warrant special mention. Ian Bostridge delivers a compelling portrayal, particularly in Cantata BWV 61, where his emotional range and interpretative depth resonate profoundly. While his physical tension is palpable, detracting slightly from his poise, his vocal prowess remains unblemished, showcasing the passionate urgency that is vital to Bach’s narrative style. Christine Schäfer shines brightly, particularly in the expressive “Gloria” of the Magnificat, her voice imbued with clarity and a vibrant tonal palette that complements the choral fabric beautifully. The trio featuring Schäfer, Anna Korondi, and Bernarda Fink reveals a rich interplay of colors and dynamics that highlights their individual strengths while blending seamlessly in harmony. Baritone Christopher Maltman’s contributions are equally commendable, his deep, resonant voice aptly capturing the gravitas required in Bach’s sacred texts.
The engineering quality of this recording merits praise, with the natural acoustics of the Kloster Melk providing a splendid backdrop that enhances the choral and instrumental interplay. The balance between voices and instruments is expertly managed, allowing the intricacies of Bach’s counterpoint to flourish without obscuring individual lines. Each movement is captured with clarity, ensuring that the listener can appreciate the textural richness that characterizes Bach’s work.
This DVD stands out not only for its stellar performances and historically informed interpretation but also for its capacity to draw audiences into the heart of Bach’s sacred music. Harnoncourt’s willingness to adapt his approach while maintaining fidelity to Bach’s intentions results in a compelling viewing and listening experience. For collectors and enthusiasts alike, this recording serves as an essential addition to the ever-expanding body of Bach interpretations, promising both depth and accessibility to a masterful composer whose music continues to resonate across centuries.
