Composer: Gioachino Rossini
Works: Sonatas for Wind Quartet (Quartet No. 1 in F major, Quartet No. 2 in G major, Quartet No. 3 in F major, Quartet No. 4 in B flat major, Quartet No. 5 in D major, Quartet No. 6 in F major)
Performers: Michael Thompson [horn], Jonathan Snowden [flute], Robert Hill [clarinet], John Price [bassoon]
Recording: St. Paul’s Church, Rusthall, Kent, April 1996
Label: NAXOS
Gioachino Rossini’s early compositions, particularly his Sonatas for Wind Quartet, offer a fascinating glimpse into the prodigious talent of a composer who would later revolutionize the operatic landscape. Composed in 1804, when Rossini was just twelve years old, these works were originally string sonatas that have been deftly arranged for winds by Frederic Berr. This arrangement not only preserves the youthful exuberance of Rossini’s material but also allows the unique timbres of the wind instruments to shine, creating a blend that is both refreshing and resonant with the vibrant spirit of classical winds.
The performance by the Michael Thompson Wind Quartet illuminates the intrinsic charm of these sonatas while showcasing the ensemble’s technical prowess. Each player brings a distinct voice to the quartet, which is essential in capturing the lively interplay characteristic of Rossini’s style. Jonathan Snowden’s flute, in particular, emerges as a standout, especially in the slow movement of the Third Sonata, where his lyrical phrasing illustrates an emotional depth that belies the youthful origins of the work. The clarinet of Robert Hill offers a richly woven counterpoint, while John Price’s bassoon provides a robust foundation, grounding the group with a sonorous depth that enhances the overall texture. The ensemble’s tightness and blend are commendable, revealing a thorough understanding of Rossini’s idiomatic writing for wind instruments.
The recording quality is excellent, capturing the nuances of each instrument in a well-balanced acoustic environment. The choice of St. Paul’s Church as a venue contributes a warmth and clarity to the sound, allowing the listener to appreciate the subtle dynamics and articulations. NAXOS has a reputation for producing high-quality recordings, and this disc is no exception. The engineering does justice to the ensemble’s performance, ensuring that the lively rhythms and melodic lines are rendered with clarity and precision.
Historically, these sonatas reflect Rossini’s early engagement with form and melody, foreshadowing the operatic genius that would emerge later in his career. The works exhibit a classical poise reminiscent of Mozart, particularly in their structured fast-slow-fast ternary forms. Yet, within this framework, one can hear the seeds of Rossini’s characteristic wit and infectious spirit, especially in the brisk finales that often explode with energy. Berr’s arrangements preserve the essence of Rossini’s original string writing while enhancing it through the distinct capabilities of the wind quartet, demonstrating an astute understanding of instrumental color.
The inclusion of the Sixth Sonata, which is based on an existing Andante, demonstrates Berr’s ingenuity in creating a cohesive set, seamlessly integrating this additional work while maintaining stylistic consistency. This thoughtful arrangement further underscores the quartet’s interpretative strengths, allowing each player to shine while contributing to the ensemble’s overall coherence.
This recording of Rossini’s Sonatas for Wind Quartet is both an engaging exploration of his early works and an impressive demonstration of wind instrumentation. The musicianship on display is exemplary, rendering a youthful exuberance that resonates with both historical significance and contemporary relevance. For enthusiasts of Rossini, as well as those interested in the development of chamber music, this disc is an indispensable addition to the repertoire.
