Composer: Sergei Rachmaninov
Works: Piano Concerto No 2 in C minor, Op 18; Piano Concerto No 3 in D minor, Op 30
Performers: Yefim Bronfman (piano), The Philharmonia, Esa-Pekka Salonen (conductor)
Recording: 5-8 October 1990, Abbey Road Studios, London
Label: SONY SBK89734
Sergei Rachmaninov’s piano concertos, particularly the Second and Third, stand as towering exemplars of the Romantic piano repertoire, encapsulating the composer’s lush harmonic language and profound emotional depth. Written in 1900 and 1909 respectively, these works explore a spectrum of human emotion, from tempestuous passion to serene introspection, reflecting Rachmaninov’s own tumultuous life experiences and the cultural milieu of early 20th-century Russia. The coupling of these two masterpieces on a single disc offers a comprehensive journey through Rachmaninov’s evolving compositional voice, making this recording a worthwhile addition to any serious collection.
Yefim Bronfman’s performance is a masterclass in both technical prowess and interpretative depth. His approach to the Second Concerto is marked by a muscularity that is wonderfully complemented by the Philharmonia under Esa-Pekka Salonen. Bronfman’s fingerwork possesses a percussive clarity that commands attention, particularly in the first movement’s ossia cadenza of the Third Concerto, where he deftly navigates a formidable passage with both power and precision. Yet, what elevates his playing is not merely technical brilliance; it is his ability to convey nuanced emotions. For instance, the moment at 7:31 in the Second Concerto’s first movement, where he pulls back unexpectedly into a sotto voce, singing over the orchestra’s silky strings, exemplifies a keen sensitivity that captivates the listener.
Salonen’s contribution as conductor is equally significant. He exhibits a keen understanding of Rachmaninov’s orchestral textures, ensuring that the orchestra does not merely serve as accompaniment but rather as an integral part of the narrative. His ability to uncover harmonic lines and sustain them within the orchestral fabric adds a dimension of richness that enhances the overall momentum of the performance. The violins’ ethereal playing at the close of the slow movement in the Second Concerto is a moment of divine beauty, showcasing Salonen’s ability to elicit individual voices within the ensemble that resonate with profound expressiveness.
The recording quality, produced at the legendary Abbey Road Studios, demonstrates the impressive capabilities of digital technology at the time, although there are moments where the sound could be perceived as slightly brittle rather than warmly immersive. Nonetheless, this is often overshadowed by the sheer depth of musical engagement on display. While some listeners may critique Bronfman for a relentless drive through passages that might benefit from a more relaxed approach, the energy he brings is undeniably compelling and contributes to the exhilarating experience of the disc.
This recording of Rachmaninov’s Second and Third Piano Concertos by Bronfman and Salonen emerges as a compelling interpretation that rivals some of the most revered renditions in the catalog. The combination of Bronfman’s formidable technique and expressive playing, alongside Salonen’s insightful direction of the Philharmonia, results in a dynamic and emotionally charged listening experience. For those seeking a definitive account of these iconic works, this disc represents not only superb value but also an opportunity to experience Rachmaninov’s genius through the lens of two exceptional artists.
