Composer: Sergei Prokofiev, Sergei Rachmaninov, Ludwig van Beethoven
Works: Excerpts from Romeo and Juliet – Ballet, Aleko’s Cavatina from Aleko, Romances 1 and 2 for Violin and Orchestra, Symphony No. 7 in A, Op. 92
Performers: Anatoly Kocherga (Baritone), Kolja Blacher (Violin), Berlin Philharmonic Orchestra, conducted by Claudio Abbado
Recording: Recorded in the Mariinsky Theatre, St. Petersburg, 1st May 1996
Label: TDK DVD
Claudio Abbado’s May Day concert with the Berlin Philharmonic in the illustrious Mariinsky Theatre encapsulates a confluence of Russian and Western musical traditions, vividly represented through the works of Prokofiev, Rachmaninov, and Beethoven. This concert is not merely a collection of pieces; rather, it emerges as a celebration of musical heritage, with each work selected bearing significant historical and cultural weight. Prokofiev’s ballet excerpts from “Romeo and Juliet” evoke the tumultuous romance and tragedy of Shakespeare’s narrative, while Rachmaninov’s “Aleko” provides a poignant glimpse into Russian operatic expression, culminating in Beethoven’s 7th Symphony, a masterwork renowned for its rhythmic vitality and emotional depth.
The opening excerpts from Prokofiev’s ballet provide an immediate thrill, characterized by the Berlin Philharmonic’s lush and meticulous playing. Abbado’s interpretation is notable for its clarity and precision, effectively highlighting Prokofiev’s intricate orchestration. The first movement, “Montagues and Capulets,” conveys both the tension and grandeur of the narrative, with Abbado drawing forth a rich palette of colors from the orchestra. The musicians immerse themselves in the score, the strings singing with a vibrancy that belies the routine often found in performances of this work. The balance between the sections is impeccably managed, allowing the brass and woodwinds to punctuate the fabric of the music without overwhelming the delicate textures provided by the strings.
Transitioning to Rachmaninov’s “Aleko,” baritone Anatoly Kocherga’s performance is a masterclass in vocal richness and emotional sincerity. Kocherga, hailing from Ukraine, embodies the quintessential Russian vocal tradition, delivering the cavatina with a depth of feeling that resonates well beyond the notes themselves. His timbre, dark and sonorous, captures the essence of the character’s longing and despair, rendering a performance that is both technically accomplished and profoundly moving. The orchestral accompaniment under Abbado’s direction is equally commendable, creating a lush soundscape that envelops Kocherga’s voice while allowing it to shine at the forefront. This synergy exemplifies the intricate interplay between singer and orchestra, an essential component of Rachmaninov’s operatic style.
The concert then seamlessly transitions to Beethoven, with Kolja Blacher performing the two romances for violin and orchestra. Blacher’s interpretations are characterized by a nuanced approach, balancing lyricism with technical precision. The first romance, marked by its lyrical flow, is executed with a delicate touch, allowing the expressive qualities of the violin to emerge organically. In contrast, the second romance possesses a more vigorous character, which Blacher navigates with deft agility, deftly accentuating the interplay of melody and accompaniment. The orchestra responds with an energetic yet refined backdrop, enhancing the dynamic contrasts inherent in Beethoven’s writing.
The concert culminates in a rousing performance of Beethoven’s 7th Symphony, where Abbado’s interpretation brims with vitality. The second movement, Allegretto, is particularly noteworthy, as it is imbued with a sense of gravitas that captures the listener’s attention. The Berlin Philharmonic’s execution of the rhythmic drive and lyrical passages exemplifies their technical prowess and deep understanding of Beethoven’s orchestral language. Engineering quality is equally commendable; the DVD captures both the visual splendor of the Mariinsky Theatre and the rich auditory experience provided by the orchestra, with clear delineation of instrumental lines and a resonant soundstage that envelops the listener.
This recording stands out as a compelling document of a concert that marries tradition with interpretative freshness. Abbado’s ability to elicit such vibrant performances from the Berlin Philharmonic, coupled with the exceptional contributions of Kocherga and Blacher, creates a memorable musical experience. For enthusiasts of the repertoire presented, this DVD not only serves as an exemplary recording but also as a testament to the enduring legacy of these monumental works. The combination of historical significance, technical excellence, and emotional depth results in a performance that resonates profoundly, making it a highly recommended addition to any serious classical music collection.
