Composer: André Previn
Works: Diversions (1999), Sallie Chishum (1994), Vocalise (1995), The Giraffes Go to Hamburg (2000), Three Dickinson Songs (1999)
Performers: Barbara Bonney, soprano; Renée Fleming, soprano; Moray Welsh, cello; Wiener Philharmoniker; London Symphony Orchestra; André Previn, conductor and piano
Recording: Recorded live in Musikverein, Wien (Diversions), Academy of Arts & Letters, New York (The Giraffes, Songs), Abbey Road Studios, London (Sallie and Vocalise)
Label: Deutsche Grammophon
André Previn stands as a versatile figure in the classical music landscape, equally adept as a conductor and composer. His 1999 composition, Diversions, encapsulates his unique style, melding accessibility and depth. This recording, featuring the Wiener Philharmoniker and the London Symphony Orchestra, showcases Previn’s ability to craft engaging orchestral textures while retaining the nuances of lyrical expression. The work’s premiere by the Vienna Philharmonic in January 2000 signaled a contemporary voice rooted in tradition, bridging the gap between the past’s harmonic richness and the present’s rhythmic vitality.
The Diversions unfolds in four movements, commencing with a prologue that establishes a vibrant thematic material, followed by a slow passacaglia—a reflective moment that invites introspection with its haunting clarinet lines. The orchestration throughout exhibits a keen awareness of instrumental color; significant passages for cello and piccolo reveal Previn’s skill in writing for individual voices within the ensemble. The contrasting fast section injects energy, juxtaposing the earlier serenity with a playful agility that is characteristic of Previn’s compositional approach. The final slow movement brings a sense of resolution, utilizing lush harmonies that echo the themes introduced earlier, effectively tying the work together.
The performances by Bonney and Fleming are noteworthy. Bonney’s interpretation of Vocalise and Sallie Chishum conveys a delicate balance of power and intimacy, with her ethereal tone floating effortlessly above the orchestral fabric. Fleming, in her renditions of The Giraffes Go to Hamburg and Three Dickinson Songs, embodies the lyrical spirit of the texts, imbuing them with emotional depth that resonates profoundly with the listener. Previn’s accompaniment at the piano complements the vocal lines with sensitivity, allowing each singer’s voice to shine without overshadowing the orchestral backdrop.
The engineering quality of this recording is exemplary. Deutsche Grammophon has provided a clear, immersive sound that captures the nuances of the orchestral and vocal performances. The balance between the singers and the orchestras is particularly well-managed, ensuring that dynamic contrasts are preserved and that the warmth of the orchestral palette is fully realized. While the live setting may introduce some audience noise, it does not detract from the overall experience; rather, it enhances the sense of immediacy and connection to the performance.
Comparatively, this recording stands out amidst the plethora of contemporary compositions, marking itself as a significant contribution to Previn’s discography. While previous recordings of Vocalise exist, this orchestral version brings a fresh perspective that enriches the existing interpretations, making it a valuable addition for collectors and newcomers alike. The Diversions composition, in particular, rivals the works of contemporary composers such as John Adams and Thomas Adès, yet retains a distinct voice that is unmistakably Previn’s own.
This recording serves as a testament to André Previn’s dual mastery as both composer and conductor. The thoughtful interplay between orchestration and vocal lines highlights his deep understanding of musical dialogue, creating an engaging listening experience that rewards repeated hearings. The high caliber of performance from all artists involved, coupled with the superb recording quality, makes this a highly recommended addition to any serious classical music collection.
