Composer: Sergei Rachmaninov
Works: Piano Concerto No. 1, Rhapsody on a Theme of Paganini
Performers: Mikhail Pletnev (piano), Philharmonia Orchestra, Libor Pesek (conductor)
Recording: November 1987, St Augustine’s Church, Kilburn
Label: Virgin Classics
Sergei Rachmaninov, a titan of the late Romantic era, is celebrated for his lush, expansive melodies and profound emotional depth. The works presented here—the Piano Concerto No. 1 and the Rhapsody on a Theme of Paganini—exemplify his unique ability to blend virtuosic piano writing with rich orchestral textures. The former, initially composed in 1891 and significantly revised in 1917, serves as a testament to Rachmaninov’s evolution as a composer, while the latter, completed in 1934, showcases his late style, characterized by a tighter structure and an inventive approach to variation.
Pletnev’s interpretation of the Piano Concerto No. 1 is marked by an impressive sense of romantic sweep, establishing an engaging dialogue between the piano and the orchestra from the very opening gesture. His approach to rubato is particularly noteworthy, allowing for a fluidity that captures the essence of Russian romanticism without sacrificing rhythmic integrity. The first movement’s opening theme unfolds with an exquisite lyricism, bolstered by a lush orchestral backdrop under Pesek’s deft conducting. While the interpretation may lack the aggressive rhythmic attack that Vladimir Ashkenazy brings, Pletnev compensates with a nuanced understanding of phrase shaping, revealing the concerto’s intricate emotional landscape.
The recording quality is exceptional for its time, capturing the subtleties of both piano and orchestra with clarity and depth. The engineering allows for the fine details of Rachmaninov’s orchestration to emerge, from the delicate woodwind lines that dance around the piano to the grand climaxes that encapsulate the work’s emotional core. The balance between the soloist and the orchestra is well-maintained, allowing the listener to appreciate the interplay between Pletnev’s expressive playing and the Philharmonia’s rich sound.
In the Rhapsody on a Theme of Paganini, Pletnev and Pesek achieve a compelling sense of momentum, effectively navigating the myriad variations that flow seamlessly into one another. The performance is characterized by subtle shadings and a thoughtful pacing that enhances the work’s narrative quality. Notably, the famous 18th variation is delivered with a tender beauty, revealing the profound introspection that lies at the heart of this piece. The musicians’ decision to slow down towards the conclusion adds a poignant farewell quality, reinforcing the emotional gravity of the music.
While Pletnev may not unseat Ashkenazy as the definitive interpreter of these works, his performances are richly rewarding, offering insights that resonate deeply. This recording stands as a significant contribution to the Rachmaninov discography, notable for its lyrical expressiveness and technical finesse. Even as it may not be the absolute pinnacle of recorded performances, it captivates with its thoughtful interpretations and superb sound quality, making it a worthwhile acquisition for enthusiasts and newcomers alike.
