Parsifal by Wagner: Masterful Interpretation by Melchior, Flagstad, and the Metropolitan Opera

Composer: Richard Wagner
Works: Parsifal Act II complete, with Finale to Act III
Performers: Lauritz Melchior – Parsifal, Kirsten Flagstad – Kundry, Arnold Gabor – Klingsor, Vocal Ensemble and Orchestra of the Metropolitan Opera New York, Erich Leinsdorf
Recording: Guild GHCD 2201 [76’21]
Label: Guild

The premiere of Wagner’s “Parsifal” in 1882 was a watershed moment in operatic history, heralding a new era of musical drama steeped in mysticism and religious symbolism. A work that demands not only vocal prowess but also a profound interpretive depth, it weaves a narrative that transcends mere storytelling, delving into themes of redemption and compassion. This new release from Guild captures a moment in time—an Act II performance from the Metropolitan Opera featuring the legendary Lauritz Melchior and Kirsten Flagstad. The historical significance of this recording cannot be overstated; it is the only surviving document of these two titans performing the work live, adding layers of intrigue and nostalgia to the listening experience.

Erich Leinsdorf’s conducting is at once robust and sensitive, embodying the duality of Wagner’s expansive score. His direction in Act II reveals a tendency toward dramatic urgency, as he navigates the complex interplay of orchestral color and vocal lines. The orchestra responds with a lushness that often feels palpable, particularly in the moments leading to Kundry’s haunting invocation of Parsifal. Melchior’s portrayal of the title character is strikingly nuanced; his voice, while powerful, conveys a vulnerability that is essential to the character’s journey. The phrasing in “Amfortas! Die Wunde!” is particularly noteworthy, with Melchior’s legato allowing the emotional weight of the text to resonate.

Flagstad’s interpretation of Kundry is equally compelling, marked by an elegant ease that contrasts with the more declamatory portrayals often associated with her performances. Her entrance in this act is seductive, embodying Kundry’s complex duality—the femme fatale and the anguished seeker. Her vocal control is commendable, particularly in the quieter moments where she exhibits a keen attention to textual detail, infusing her performance with an almost palpable sensuality. The technical challenges of the role, especially in the climactic “Ich sah das Kind,” are met with a seamlessness that speaks to Flagstad’s mastery.

The sound quality of this recording merits particular attention. Unlike previous editions plagued by interruptions and surface noise, Guild’s remastering offers a clarity that enhances the listener’s ability to appreciate the subtleties of the performance. The judicious equalization retains the richness of Wagner’s orchestration while minimizing distractions, allowing details such as the intricate interplay between voice and orchestra to shine through. Despite minor ticks and some groove wear, the overall fidelity surpasses earlier releases, making it a definitive version for collectors and aficionados alike.

This release not only serves as an essential document of a historic performance but also stands on its own merit due to the interpretive choices made by its performers. The unique partnership of Melchior and Flagstad, both at the peak of their powers, is a rarity that adds immense value to the recording. Their dynamic interplay, combined with Leinsdorf’s impassioned conducting, creates a compelling tapestry of sound that reflects the spiritual and emotional depths of Wagner’s work.

A significant addition to the recorded canon of “Parsifal,” this performance encapsulates the magic of live opera while offering a superior listening experience. For those seeking an authentic representation of Wagner’s vision, this recording not only satisfies but elevates the listener’s understanding of the profound artistry embedded within “Parsifal.”

Tom Fasano has been writing reviews of classical music recordings for the past quarter century. He's finally making them public on this blog.