Composer: Wolfgang Amadeus Mozart
Works: Eine Kleine Nachtmusik (Serenade No. 13 in G) K525, Bassoon Concerto in B flat K191, Divertimento in D K136, Divertimento in B flat K137, Divertimento in F K138
Performers: Yoshiyuki Nakanishi (bassoon), London Mozart Players, Jane Glover (conductor)
Recording: Rec London 1988 (rec London 1984)
Label: EMI CLASSICS FOR PLEASURE LC 6646 [72:08]
Wolfgang Amadeus Mozart’s musical legacy is inextricably linked to the social and cultural milieu of the late 18th century, a period when music transitioned from the ornate textures of the Baroque to the more refined forms of the Classical era. This recording, featuring “Eine Kleine Nachtmusik” alongside the Bassoon Concerto and three divertimenti, presents a fascinating glimpse into Mozart’s ability to elevate light music to a level of artistry that transcends its original purpose. Each work in this collection exemplifies Mozart’s blend of sophistication and charm, illuminating his capacity to transform the incidental into the exceptional.
Jane Glover leads the London Mozart Players with an admirable balance of precision and warmth, particularly in the interpretation of “Eine Kleine Nachtmusik.” The conductor’s choices breathe life into the familiar opening Allegro, emphasizing the dynamic contrasts inherent in the sonata form while allowing the legato passages to sing with a buoyancy that invites the listener’s engagement. The ensemble’s articulation is crisp, and the buoyant phrasing in the Menuetto captures the playful spirit of the music. This performance stands out for its clarity and energy, highlighting the intricate interplay among the strings without sacrificing the overall lyrical quality.
Yoshiyuki Nakanishi’s interpretation of the Bassoon Concerto is equally noteworthy. His technical proficiency shines through in the rondo finale, where the interplay between the bassoon and strings exhibits a delightful sense of dialogue. Nakanishi’s phrasing in the slow movement is particularly compelling, revealing a depth of emotion that resonates with operatic sensibility. The ensemble’s response is equally commendable, providing a lush backdrop that enhances the soloist’s expressive lines. The recording captures the rich timbres of the bassoon against the shimmering strings with clarity and depth, allowing each note to resonate fully.
The three divertimenti, often overshadowed by Mozart’s more prominent works, reveal the composer’s youthful exuberance and inventiveness. Glover’s interpretation emphasizes the lightness of these pieces, allowing their charm and elegance to shine. The opening Allegro of the first divertimento, reminiscent of Mendelssohn’s own youthful compositions, encapsulates the essence of Mozart’s genius at a tender age, showcasing a remarkable command of form and thematic development. The performances here generously convey the joy and spontaneity that characterize these works, making them a delightful addition to any collection.
This compilation, part of EMI’s “Classics for Pleasure” series, is not only an exceptional value but also a testament to the enduring appeal of Mozart’s music. The engineering quality is commendable, ensuring that the warmth of the strings and the clarity of the bassoon are captured with fidelity. The balance between soloist and ensemble is expertly managed, allowing both to coexist harmoniously without one overshadowing the other.
Engaging with this recording reveals the multifaceted nature of Mozart’s oeuvre, showcasing his ability to transform casual entertainment into profound artistic expression. The performances are vibrant and well-considered, making this a compelling interpretation that will appeal to both novices and seasoned listeners alike. The recording stands as a celebration of Mozart’s enduring legacy, affirming that even the lightest of music can possess a depth that invites continual exploration and appreciation.
