Composer: Various
Works: Vol. 2
Label: Naxos Historical
Catalog Number: 8.110669
Performers: Benno Moiseiwitsch (pianoforte)
Recording Dates: Various (1925-1941)
Recording Venues: Not indicated
In this compelling second volume of Benno Moiseiwitsch’s recordings, Naxos Historical presents a fascinating exploration of the repertoire that shaped the classical piano landscape during the early 20th century. This collection features works by composers such as Hummel, Beethoven, Weber, Schumann, Mendelssohn, Henselt, Liszt, and Wagner, all of which are rendered with Moiseiwitsch’s characteristic lyricism and technical prowess.
The disc opens with Johann Nepomuk Hummel’s Rondo in E-flat, Op. 11 (Rondo favori), a piece that encapsulates the transitional nature of early Romantic piano music. Moiseiwitsch’s interpretation is marked by a fluidity that highlights the work’s innate charm. His ability to shape the arching melodic lines, particularly in the first subject, reveals a deep understanding of Hummel’s lyrical intent. The subtle rubato is employed judiciously, enhancing rather than detracting from the structural integrity of the piece.
Transitioning to Beethoven’s Andante in F, WoO 57, we encounter a poignant rendition that balances warmth and introspection. Moiseiwitsch’s legato is particularly noteworthy here; the opening phrase unfolds with a tender grace that invites the listener into the heart of Beethoven’s emotional landscape. This is not merely a display of pianistic skill but a sensitive interpretation that captures the essence of Beethoven’s evolving harmonic language. The recording, made on February 3, 1930, possesses a certain immediacy, with the piano sound resonating warmly in what is presumably a period studio.
The inclusion of Carl Maria von Weber’s Rondo Brillant in D-flat, arranged by Carl Tausig, offers a contrast in texture and urgency. Here, Moiseiwitsch exhibits exceptional clarity and precision; his rapid passagework is executed with an elegance that belies the technical demands of the piece. The Invitation to the Dance, with its buoyant rhythms, is particularly exhilarating under Moiseiwitsch’s fingers. His articulation of the contrasting themes is strikingly vivid, making the work’s playful character come alive.
In the realm of Schumann, the Romance in F sharp, Op. 28/2, and Vogel als Prophet, Op. 82/7, provide an emotional depth that is deftly navigated by Moiseiwitsch. His interpretation of the Romance is imbued with a wistful yearning, and the subtle dynamic shading reveals the inner turmoil that often characterizes Schumann’s work. Notably, the Grillen, Op. 12/4, recorded in 1927, showcases Moiseiwitsch’s capacity for whimsical characterization, where each phrase emerges with a distinct personality.
Moving to Mendelssohn, the Scherzo in E minor, Op. 16/2, and the Songs without Words, Moiseiwitsch’s romantic sensibility shines through. In the F major Song without Words, the lyrical flow is seamless, with Moiseiwitsch crafting a narrative that feels both spontaneous and deeply reflective. It is worth noting that the order of the two Songs without Words is reversed in the booklet compared to the recording itself, a minor quibble that does not detract from the overall experience.
The disc also features Henselt’s Etude caractéristique, Op. 2/6 and Liszt’s Etude de Concert No. 2 (La leggierezza), where Moiseiwitsch’s virtuosic flair is on full display. His interpretation of Liszt is characterized by a delicate touch that conveys the piece’s inherent lightness while maintaining an underlying strength. The Hungarian Rhapsody No. 2 is a standout track, with Moiseiwitsch infusing the work with an infectious energy that captures the spirit of its gypsy roots.
The recording quality, while reflective of its era, remains surprisingly robust. The clarity of Moiseiwitsch’s touch and the warmth of the piano lend themselves well to the historical context of these performances, reminding us of the vibrant musical culture of the late 1920s and early 1940s.
In conclusion, this volume of Benno Moiseiwitsch’s recordings not only serves as a testament to his remarkable artistry but also provides a valuable insight into the development of piano music during a transformative period. Each work is approached with a combination of technical brilliance and interpretative depth, affirming Moiseiwitsch’s place among the great pianists of his time. Naxos Historical has done a commendable job of preserving these performances, allowing contemporary audiences to appreciate the enduring beauty of these compositions and the artistry that brings them to life.
