Composer: Leonardo
Works: Music of His Time
Performers: Ensemble Unicorn, Vienna; Scholars of London; Oxford Camerata; Shirley Rumsey, lute
Recording: NAXOS 8.558057 [74:42]
Label: Naxos
The collection titled “Music of His Time” offers a fascinating auditory glimpse into the rich tapestry of sound contemporaneous with Leonardo da Vinci, one of the towering figures of the Renaissance. This disc not only serves as an homage to the artistic genius of da Vinci but also illuminates the vibrant musical landscape of his era, featuring works by composers such as Josquin Desprez, Heinrich Isaac, and Guillaume Dufay. Each piece encapsulates the fervent spirit of innovation and exploration that characterized the period, reflecting both the sacred and secular dimensions of Renaissance life.
The performances on this recording are uniformly excellent, showcasing a commendable balance of clarity and expressiveness. The Scholars of London’s rendition of Josquin’s “Faute d’argent” is particularly striking, marked by a seamless blend of voices that captures the intricate counterpoint so characteristic of Josquin’s style. The ensemble’s articulation is crisp, allowing the listener to appreciate the complex interweaving of melodic lines. Similarly, the Oxford Camerata’s execution of “Absalon, fili mi” reveals a poignant sensitivity, with a dynamic range that enhances the emotional depth of the piece. The six-part “Salve Regina” by Jakob Obrecht further exemplifies the ensemble’s skill, with its lush harmonies rendered with both precision and warmth.
Instrumental selections, primarily featuring the lute, are handled with a remarkable finesse by Shirley Rumsey. Her interpretations of pieces by Marchetto Cara and Bartolomeo Tromboncino demonstrate not only technical proficiency but also an understanding of the idiomatic qualities of the instrument. The sound of the lute, in particular, adds a refreshing texture to the program, contrasting beautifully with the vocal works and highlighting the diverse sonorities of the period.
Sound quality is consistently high throughout the disc, with Naxos’s engineering ensuring that each voice and instrument is distinctly heard, allowing for a rich auditory experience. The acoustic environment feels immediate yet spacious, fostering an intimacy that draws the listener into the world of Renaissance music. This is particularly notable in the more delicate passages, where the subtleties of dynamics and timbre are impeccably captured.
Compared to other notable recordings of Renaissance music, this compilation stands out for its thoughtful curation and scholarly presentation. The accompanying booklet is replete with historical context and biographical details that enrich the listening experience. It serves not merely as a collection of music but as a mini-encyclopedia of Renaissance art and culture, inviting listeners to engage with the material on multiple levels.
The synergy of performance, interpretation, and sound quality culminates in a recording that is both enlightening and enjoyable. “Music of His Time” is not merely a tribute to Leonardo da Vinci; it is an essential addition to the library of any enthusiast of early music and Renaissance culture. The meticulous attention to detail and the excellence of the performers make this disc a compelling sonic journey through a pivotal era in art and music.
