Composer: Vagn Holmboe
Works: Preludes for Sinfonietta, Vol. 2; To the Seagulls and the Cormorants, op. 174, no. 6 (1987); To the Calm Sea, op. 187, no. 9 (1991); To a Pine Tree, op. 164, no. 1 (1986); To the Pollution of Nature, op. 180, no. 7 (1989); To a Willow Tree, op. 170, no. 4 (1987); Sonata for Trombone and Piano, op. 172a (1987); Music with Horn, op. 148 (1981)
Performers: Athelas Sinfonietta Copenhagen; Giordano Bellincampi, conductor
Recording: 30/5 – 6/6/1999, Lyngby Kapel, Denmark
Label: Dacapo, DACAPO 8.224124
Vagn Holmboe, a towering figure in Danish music, occupies a unique position in the 20th-century classical landscape, closely following the illustrious Carl Nielsen. The second volume of his “Preludes for Sinfonietta” presents a continuation of Holmboe’s exploration of folk culture and nature through music, a hallmark of his compositional voice. The works, completed between 1986 and 1991, reflect his mature style, characterized by a deep engagement with tonality and melodic inventiveness, offering a rich tapestry for listeners to unravel.
The Athelas Sinfonietta Copenhagen, under the adept direction of Giordano Bellincampi, delivers performances that are both polished and vibrant. The ensemble’s precision in executing Holmboe’s intricate textures is commendable, particularly in “To a Pine Tree,” where the complex interplay of instruments evokes the serene yet dynamic imagery of the titular tree. The rhythmic vitality in “To the Calm Sea” stands out, with the woodwinds weaving seamlessly through the orchestral fabric, creating an atmospheric effect that captures the listener’s imagination. Bellincampi’s thoughtful pacing allows the subtleties of Holmboe’s harmonies to emerge organically, enhancing the emotional depth of each prelude.
The recording quality is exceptional, with Dacapo providing a clear and truthful sound that allows the nuances of the ensemble to shine. The acoustic of the Lyngby Kapel contributes a warmth and resonance that complements the music’s tonal richness. Each instrument is distinctly captured, allowing for an appreciation of the orchestration that Holmboe employs—particularly the sonorous blend achieved in “Music with Horn,” where the horn’s lyrical lines soar against the backdrop of strings and woodwinds. This attention to detail in sound engineering enriches the listening experience, making it accessible even to those unfamiliar with Holmboe’s idiom.
Holmboe’s works often invite listeners to consider their titles as interpretative guides; however, the music itself often transcends these labels. For instance, “To the Pollution of Nature” employs dissonant harmonies and jarring rhythmic shifts that may not directly evoke a sense of environmental degradation but rather reflect the emotional turmoil surrounding such themes. This nuanced approach demonstrates Holmboe’s ability to convey complex ideas through musical language, making each prelude a rewarding endeavor for attentive listeners.
The inclusion of two chamber works—”Sonata for Trombone and Piano” and “Music with Horn”—is a savvy decision by Dacapo, as they complement the Preludes beautifully while showcasing Holmboe’s versatility as a composer. The trombone sonata, in particular, highlights Holmboe’s lyrical gifts and mastery of instrumental color, providing a striking contrast to the more orchestral textures of the Preludes.
Holmboe’s legacy, particularly in these later works, is a testament to his deep understanding of the interplay between folk elements and contemporary compositional practices. This second volume of “Preludes for Sinfonietta” not only furthers our appreciation of his artistic vision but also serves as a vital reminder of his contribution to the canon of 20th-century music. The performances by the Athelas Sinfonietta, coupled with the high production values of Dacapo, render this disc an essential acquisition for any serious collector of contemporary classical music. The music invites repeated listening, revealing layers of complexity and beauty that reward the listener with each encounter.
