Olga Guryakova Sings Russian Airs and Romances
Olga Guryakova, soprano
Andrei Baturkin, baritone
Moscow Chamber Orchestra
Conducted by Constantine Orbelian
Delos DE 3273
Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Mikhail Glinka, Sergei Prokofiev, Sergei Rachmaninoff
The recent release of Olga Guryakova Sings Russian Airs and Romances presents an illuminating portrait of this young Russian soprano, whose artistry has garnered significant acclaim even before this recording. Guryakova’s voice, a sizable instrument of dramatic potential, is noteworthy not only for its power but for the remarkable control she exhibits throughout the varied repertoire featured on this disc.
From the outset, it is evident that Guryakova possesses a formidable technique; her notes are consistently centered and resonant, eschewing the “wobble” often associated with some of her compatriots. In the opening aria from Tchaikovsky’s The Enchantress, one is immediately struck by the clarity and focus with which she delivers each phrase. The way she navigates the demanding tessitura of the arias from Eugene Onegin—particularly the Letter Scene—demonstrates her ability to convey a profound emotional depth. Here, her interpretation is not merely about vocal prowess; it is a compelling dramatisation of Tatyana’s inner turmoil, replete with a vibrant palette of dynamics and articulations that engage the listener’s empathy.
Guryakova’s partnership with Andrei Baturkin in the final scene from Eugene Onegin is particularly noteworthy. While Baturkin offers a competent performance, it is clear that he operates in a different vocal realm compared to Guryakova. His baritone, though solid, lacks the same luminous quality that she consistently brings to the stage. The effect is one of stark contrast; Guryakova’s voice soars with a warmth and richness—especially in the lower register—that Baturkin’s performance feels somewhat plain by comparison.
The intelligent programming of this recital deserves commendation. The inclusion of a variety of songs alongside the operatic arias provides a refreshing contrast that showcases Guryakova’s versatility. The selection from Rachmaninoff is especially compelling; her rendition of “Twilight” is imbued with a haunting introspection, while “Spring Waters” sparkles with a radiant joy that is both technically adept and emotionally resonant. The nuances in her phrasing and the clarity of her diction serve to illuminate the texts—a testament to her thoughtful engagement with the music.
Constantine Orbelian’s direction of the Moscow Chamber Orchestra offers a sensitive backdrop to Guryakova’s performances. The orchestra deftly balances drama with subtlety, playing with a rich sonority that enhances the vocal lines without overshadowing them. The recorded sound quality is pristine, allowing the listener to appreciate the intricate interplay between voice and orchestra. Each orchestral accompaniment is executed with precision, particularly in the orchestral interludes that punctuate the songs, which are delivered with a blend of lyricism and vigor.
In terms of historical significance, the works selected for this recording highlight the rich tapestry of Russian vocal music from the 19th and early 20th centuries. Each composer represented—Tchaikovsky, Rimsky-Korsakov, Glinka, Prokofiev, and Rachmaninoff—contributes a unique perspective on the emotional landscape of Russian life, reflecting both the personal and the national. Guryakova’s interpretations serve not only to celebrate these composers but to breathe new life into their music, reminding us of the enduring power of their emotional narratives.
In conclusion, Olga Guryakova Sings Russian Airs and Romances is a remarkable debut recording that showcases an emerging talent in the world of classical music. Guryakova’s commanding presence, coupled with her thoughtful interpretations, positions her as a significant voice of her generation. This disc is not merely a collection of arias and songs; it is a journey through the emotional depths of Russian music, performed with an artistry that promises to resonate for years to come. Highly recommended for those seeking both beauty and depth in vocal performance.
