Grainger’s Folk-Inspired Works: Howard’s Captivating Piano Interpretations with Sydney Symphony

Composer: Percy Grainger
Works: Country Gardens, Colheen Dhas, Mock Morris, Molly on the Shore, Willow Willow, Irish Tune from County Derry, Handel in the Strand, Scotch Strathspey and Reel, The Power of Love, Lord Peter’s Stable Boy, Shepherd’s Hey, Beautiful Fresh Flower, Gum-Sucker’s March, Blithe Bells, Cradle Song, The Man I Love (arr. Grainger), Love Walked In (arr. Grainger), Spoon River, The Nightingale and the Two Sisters, Country Gardens
Performers: Leslie Howard (piano), Sydney Symphony Orchestra, Melbourne Symphony Orchestra, Adelaide Symphony Orchestra, John Hopkins (conductor), Geoffrey Simon (conductor)
Recording: ABC Classics 465818-2
Label: ABC Classics

Percy Grainger, a composer whose work straddles the line between folk and art music, offers a rich tapestry of sound that is both evocative and technically innovative. This compilation, “The Best of Percy Grainger,” serves as a tribute not only to Grainger’s melodic ingenuity but also to his unique harmonic language, which blends traditional folk elements with progressive chromaticism. The recording revisits Grainger’s most beloved works, presenting them through the adept interpretations of Leslie Howard and the notable Australian orchestras.

The performances here are a refreshing reminder of Grainger’s imaginative orchestrations and the distinctively vibrant colors he draws from the ensembles. Beginning and concluding with “Country Gardens,” the disc encapsulates the essence of Grainger’s aesthetic—an intertwining of pastoral charm and complex harmonic structures. Howard’s piano rendition of the piece sets a buoyant tone, with crisp articulation and a delightful rhythmic bounce that prepares the listener for the lush orchestral interpretation that follows. The orchestration breathes life into the melodies, showcasing Grainger’s ability to transform simple folk tunes into elaborate soundscapes.

Throughout the album, the orchestras under the direction of John Hopkins and Geoffrey Simon deliver performances that are as nuanced as they are spirited. The “Irish Tune from County Derry,” often associated with “Danny Boy,” is rendered with a sensitivity that avoids sentimentality; instead, it embraces Grainger’s characteristic chromaticism. The string sections swell with a palpable warmth, while the winds interject with poignant counter-melodies, creating a richly textured fabric that captivates from start to finish.

The “Mock Morris” stands out for its wit and playfulness, with Howard’s piano deftly navigating the intricate rhythms while the orchestra adds layers of color and depth. In contrast, “The Power of Love” receives a deeply passionate interpretation, where the emotional weight is carried by the lush strings, elegantly supported by Howard’s intimate piano lines. The juxtaposition of Peter Sculthorpe’s “Beautiful Fresh Flower” directly following this piece emphasizes the curatorial insight present in the programming, as Sculthorpe’s ethereal orchestration complements Grainger’s lyrical sensibilities.

The recording quality is commendable, capturing the dynamic range of the orchestras and the subtleties of Howard’s piano. The engineering ensures that the balance between soloist and ensemble is both clear and immersive, allowing the listener to appreciate the intricate interplay of instruments without losing the intimate character of the piano.

While there are other recordings of Grainger’s works, this compilation distinguishes itself through its thoughtful selection and the expertise of its performers. The interpretations here are not only technically proficient but also infused with a genuine affection for the material. They resonate with the spirit of Grainger, whose music is often underestimated in its emotional and intellectual depth.

The disc offers a compelling journey through Grainger’s musical landscape, marked by infectious vitality and artistry. Each piece unfolds with a clarity that invites repeated listening, revealing new layers of complexity with each encounter. This recording not only celebrates Grainger’s legacy but also reaffirms the relevance of his music in today’s concert repertoire.

Tom Fasano has been writing reviews of classical music recordings for the past quarter century. He's finally making them public on this blog.