Composer: Johann Sebastian Bach
Works: Goldberg Variations, BWV 988
Performers: Jory Vinikour, harpsichord
Recording: October 2000, Skywalker Sound, Marin County, California
Label: DELOS DE 3279 [85.39] [2CDs for the price of one]
Johann Sebastian Bach’s Goldberg Variations, composed in the early 18th century, stand as a monumental testament to the possibilities of variation form, intertwining intellectual rigor with profound emotional depth. Originally conceived to soothe the insomnia of Count Hermann Karl von Keyserlingk, the work transcends its utilitarian origins to become a cornerstone of the keyboard repertoire. Jory Vinikour, a rising American harpsichordist, undertakes this challenge in his recent recording, presenting a fresh perspective on a work that has been interpreted by countless musicians.
Vinikour’s performance is notable not only for its technical accomplishments but also for its interpretative depth. From the outset, his choice to linger over the opening aria—nearly five minutes of patient unfolding—sets a contemplative tone that invites the listener into the intricate web of variations. This deliberate pacing is reminiscent of Ton Koopman’s ornamentation style, yet Vinikour deftly balances flair with restraint, ensuring that embellishments enhance rather than overwhelm the music. His approach to variation 7 showcases this balance beautifully, where vibrant ornaments punctuate the brisk melodies, adding both excitement and thematic cohesion.
Throughout the recording, Vinikour demonstrates a keen sensitivity to the contrasting characters of the variations. The slower variations, particularly variation 9, are imbued with a poignant subtlety; the phrasing is impeccably shaped, drawing out the emotional undercurrents that permeate Bach’s writing. Variation 11, with its delicate nuances in ornamentation, reveals a masterful understanding of the harpsichord’s capabilities, while variation 13’s lyrical interpretation captivates with its understated elegance. The flamboyant energy of variation 16, styled as a French overture, further illustrates Vinikour’s versatility, as he navigates the full spectrum of expressive demands with aplomb.
One of the standout moments of this recording is the expansive interpretation of variation 25, which Vinikour stretches to over ten minutes—well beyond the duration favored by many pianists and harpsichordists. This extended treatment transforms the variation into a profound musical discourse, resonating with the emotional weight akin to the famous Chaconne from Bach’s D minor Violin Sonata. The fluidity of Vinikour’s phrasing, coupled with the crisp articulation of his Ruckers copy harpsichord, creates an unforgettable sonic experience that highlights the instrument’s character, particularly in its tuning, which, though slightly rough at times, adds to the variation’s dramatic intensity.
The recording itself merits commendation, as the engineering ensures a clear and present sound with minimal reverb, allowing each note to resonate with clarity. The harpsichord, crafted by Kevin Fryer and inspired by the renowned instrument in the Musée d’Unterlinden, offers a brilliant tonal palette, though the lower registers could benefit from greater depth. Nevertheless, this technical detail does not detract from the overall listening experience, which remains vibrant and engaging throughout the entirety of the 85-minute performance.
Vinikour’s rendition of the Goldberg Variations establishes him as a formidable interpreter of Bach, skillfully navigating the delicate interplay of complexity and lyricism inherent in the work. His energetic and thoughtful approach not only invigorates the listener’s experience but also reaffirms the enduring relevance of Bach’s masterwork. This recording stands out in a crowded discography, offering insights that both seasoned aficionados and newcomers to Bach can appreciate. The freshness of Vinikour’s interpretations and the high-quality recording combine to make this a compelling addition to the catalog of harpsichord recordings, one that is sure to resonate for years to come.
