Composer: Johann Sebastian Bach
Works: Goldberg Variations, BWV 988
Performers: Ekaterina Dershavina, piano
Recording: November 1994, Musikstudio 1 of the Saarländischer Rundfunk
Label: ARTE NOVA 74321 34011 2
Bach’s Goldberg Variations stand as a monumental achievement in the keyboard repertoire, a work that encapsulates the Baroque spirit of ornamentation, counterpoint, and variation while also serving as a complex exploration of emotional depth and technical prowess. Composed in 1741 and originally intended as a set of variations for harpsichord, the work has transcended its time, inviting myriad interpretations on the piano. Ekaterina Dershavina’s recording emerges as a compelling entry into this rich discography, showcasing both her youthful energy and a mature understanding of Bach’s intricate musical language.
Dershavina’s interpretation is characterized by an invigorating rhythmic vitality that breathes life into the faster variations. Her approach is incisive, with a notable proclivity for maintaining momentum through rapid passages. While her tempi are generally brisk, they do not teeter into the realm of excess, avoiding the extremes of Glenn Gould’s famously idiosyncratic interpretations. A prime example of her agility can be found in variation 15, where her execution of the rapid runs is not only technically assured but also imbued with an exhilarating sense of spontaneity. This performance stands out as one of the most breathtaking interpretations I have encountered, showcasing her ability to balance precision with expressiveness.
The slower variations reveal Dershavina’s sensitivity to phrasing and dynamics. Variation 25, the longest of the set, is played with remarkable tenderness, her touch seemingly caressing the keys as she navigates the intricate melodic lines. The interpretative choices she makes in this variation—especially the nuanced deviations from the written text—speak to an understanding of the work’s emotional landscape. Her ability to traverse the delicate terrain of ornamentation in variations like 9 is commendable; the embellishments enhance rather than overshadow the musical narrative, exemplifying her virtuosic control coupled with humility.
Recording quality plays an essential role in this interpretation, and the engineering of this disc provides a warm, resonant backdrop that captures the nuances of Dershavina’s playing. The piano’s tone is rich and well-balanced, allowing for the clarity of her articulation to shine through even in the most complex textures. This attention to sound quality enhances the listening experience, allowing the listener to appreciate the subtleties of her dynamic range and the delicate interplay of voices within Bach’s contrapuntal fabric.
In the context of other notable recordings, Dershavina’s rendition holds its own against those of established pianists, offering a fresh perspective that blends youthful energy with intellectual rigor. While established names such as András Schiff or Murray Perahia may deliver polished and insightful performances, Dershavina’s unique interpretative voice adds a new layer to the ongoing dialogue surrounding this timeless work.
Ekaterina Dershavina’s performance of the Goldberg Variations presents a striking combination of vivacity and introspection, making a significant contribution to the existing catalogue of recordings. The blend of her technical prowess, thoughtful interpretation, and the splendid sound engineering culminates in a recording that not only honors Bach’s intentions but also elevates them into a personal expression of musicality. This disc merits a prominent place in any serious collection, offering listeners a rare glimpse of pianistic excellence at a budget price.
