Composer: Mauro Giuliani
Works: Variations on a Theme from the opera “Fanchon”, Op.88; Variations on a Theme by Paisiello, Op.4; Variations on “Folies d’Espagne”, Op.45; Variations on a Theme by Handel, Op.107; Variations on a March by Cherubini, Op.110; Pot-Pourri Nazional Romano, Op.108; Variations on a Theme from Rossini’s opera “Tancredi”, Op.87
Performers: Ricardo Gallén – Guitar
Recording: 2001?
Label: NAXOS 8.555284 [69:12]
Mauro Giuliani, a significant figure in the early 19th century guitar repertoire, is often overshadowed by his contemporaries such as Fernando Sor and the later Andrés Segovia. His contributions to the guitar, particularly his variations and studies, showcased not only his virtuosic ability but also a deep understanding of operatic themes, a reflection of the musical landscape of his time. This recording by Ricardo Gallén presents a comprehensive survey of Giuliani’s variations, emphasizing the composer’s flair for transforming well-known operatic themes into intricate guitar compositions.
Gallén’s interpretation is noteworthy for its combination of technical brilliance and interpretive sensitivity. The guitarist, utilizing a meticulously crafted 19th-century guitar by Lourdes Uncilla, captures the warmth and resonance of the period. This choice of instrument significantly enhances the aural experience, allowing the nuances of Giuliani’s writing to come to the forefront. For instance, in the “Variations on a Theme by Paisiello,” Gallén’s articulation and phrasing convey the playful essence of the theme, while his dynamic control imbues the variations with a lively character that reflects the operatic origins of the material.
The recording quality is commendable, with a clarity that allows for the detailed interplay of lines to emerge without losing the richness of the guitar’s tone. The balance between the guitar and the acoustic space is well-managed, granting each variation its due prominence while maintaining a cohesive overall sound. This is particularly evident in the “Folies d’Espagne,” where the clarity of the melodic lines juxtaposed with the harmonic depth creates a vibrant tapestry that is both engaging and subtly sophisticated. The engineering captures the full dynamic range, from the delicate whispers to the exuberant flourishes, allowing listeners to appreciate the intricacies of Giuliani’s writing.
Gallén’s approach to the variations reveals a thoughtful engagement with the material. While maintaining fidelity to Giuliani’s text, he injects a personal touch that enhances the emotional expressiveness of the pieces. For example, his treatment of the “Variations on a Theme from Rossini’s opera ‘Tancredi'” demonstrates an acute awareness of the thematic development, as he navigates the transitions between lyrical passages and virtuosic displays with finesse. The performer’s ability to balance technical demands with interpretive depth resonates strongly throughout the disc.
A historical perspective on Giuliani’s work reveals that these variations were not merely exercises in technical prowess but also a celebration of the popular operatic themes of his time. This tradition of variation forms, notably favored in the 18th and 19th centuries, serves not only as a vehicle for virtuosic display but also as a means of connecting with the audience through familiar melodies. Gallén’s interpretations honor this legacy while breathing new life into the music, encouraging listeners to rediscover Giuliani beyond his most recognized compositions.
This recording stands as a vital addition to the guitar repertoire, providing a well-rounded introduction to Giuliani’s lesser-known works. Gallén’s artistry, combined with the quality of the recording, offers both technical excellence and interpretative insight, making this disc a compelling listen for both guitar aficionados and those new to Giuliani’s music. The exploration of these variations not only enriches the understanding of Giuliani as a composer but also highlights the enduring charm of the guitar as a solo instrument capable of profound expression.
