Composer: Finnish
Works: 21 Finnish hymns: 1. Ein’ feste Burg 2. Jesus at the seat of Grace 3. Only a moment in time 4. Alleluia, sing to Jesus 5. When will the morning star 6. From Gethsemane there is a path 7. This is the great day 8. Clasp me, O Holy Spirit 9. Veni, creator spiritus 10. Moon and son 11. Nearer my God to thee 12. The earth is the Lord’s 13. May the hymn of honour now resound 14. Hear, O heavenly father 15. Hear whom the master calls blessed 16. Who passes on the road 17. Go Zion, to meet your king 18. The blessed day 19. Abide with me 20. Now the world is in bloom 21. Bless and keep us, Lord
Performers: Lahti Symphony Orchestra/Osmo Vänskä
Recording: August 2001, at the Church of the Cross, Lahti, Finland
Label: BIS
This recording of Finnish hymns, under the baton of Osmo Vänskä and featuring the Lahti Symphony Orchestra, presents an intriguing assortment of sacred melodies that traverse cultural boundaries. While the title might suggest a purely Finnish repertoire, listeners will find that many selections, such as “Ein’ feste Burg” (a German classic) and “Alleluia, sing to Jesus” (with Welsh origins), are part of a broader tapestry of hymns that have permeated Finnish liturgical life. This ambiguity raises questions of cultural ownership in music, yet it also reflects the eclectic nature of hymnody in Finland, where such melodies have been embraced and incorporated into religious practice.
Vänskä’s interpretations are characterized by a blend of clarity and warmth, qualities that serve the textures of these arrangements exceptionally well. The arrangements, some crafted by Vänskä himself and others by a cadre of skilled collaborators, vary in their compositional flair. For instance, the arrangement of “Bless and keep us, Lord” stands out for its evocative opening, reminiscent of Sibelius, and its poignant trumpet solo by Ari Heinonen. This moment captures the listener’s attention, showcasing the orchestration’s ability to evoke profound emotional responses. The orchestral colors are vibrant, and the interplay between strings and brass exhibits a keen understanding of timbral balance, allowing each hymn’s character to shine through.
Recording quality is commendable, particularly considering the setting within the Church of the Cross. The acoustics enhance the lushness of the orchestra while maintaining an intimate atmosphere that is fitting for the sacred nature of the repertoire. The engineering choices ensure that both the solo instruments and the choral textures can be heard distinctly, a crucial aspect for hymns where melodic lines are often passed between the orchestra and the hypothetical congregation. The overall sound is rich and full, yet clear enough to appreciate the subtle nuances in the arrangements.
While this disc may cater primarily to the Finnish market, it offers a rewarding experience for those who appreciate the art of arrangement and orchestral interpretation of hymnody. The arrangements are not merely transcriptions; they are thoughtful reimaginings that invite listeners into a meditative space. Although not every setting reaches the artistic heights of the aforementioned “Bless and keep us, Lord,” many display a commendable level of craftsmanship that rewards attentive listening.
The collection is a fascinating exploration of how hymns can transcend their cultural origins to become part of a larger communal identity. Each arrangement resonates with a sense of reverence, and Vänskä’s leadership ensures that the performance remains engaging throughout. This recording is not simply a collection of familiar tunes; it is a celebration of the hymnic tradition that continues to evolve and enrich the Finnish cultural landscape. A worthwhile addition to the discography of both Vänskä and the Lahti Symphony Orchestra, it stands as a testament to the enduring power of music in spiritual expression.
