Composer: Gaetano Donizetti
Works: L’elisir d’amore
Performers: Roberto Alagna (Nemorino), Angela Gheorghiu (Adina), Simone Alaimo (Dr. Dulcamara), Elana Dan, Roberto Scaltriti, Lyon National Opera Chorus, Lyon National Opera Orchestra/Evelino Pidó
Recording: 1996, Lyon
Label: DECCA
Gaetano Donizetti’s “L’elisir d’amore” is a quintessential example of the bel canto operatic tradition, blending lyrical beauty with comedic elements that speak to the human experience of love and longing. Premiered in 1832, this opera stands as a testament to Donizetti’s ability to craft memorable melodies that resonate with audiences across generations. The 1996 Lyon production, now available on DVD, captures this essence while showcasing two of the most celebrated voices of the late 20th century—Roberto Alagna and Angela Gheorghiu—who, at the time of recording, were not only rising stars but also recently married, infusing the performance with palpable chemistry.
The interpretation of the lead roles is particularly noteworthy. Alagna’s portrayal of Nemorino is characterized by a sincerity that transcends the archetypal “simple country bumpkin.” His rich tenor resonates with emotional depth, especially in the famed aria “Una furtiva lagrima.” Here, Alagna’s nuanced phrasing and dynamic control reveal a yearning that elevates the character above mere comedy. In contrast, Gheorghiu’s Adina, while initially presented as a “rich bitch” with a somewhat stiff demeanor, finds her footing in the duet at the end of Act 1. Their interaction is a highlight, demonstrating not only technical prowess but also an intimate understanding of the emotional undercurrents at play. The moment the two voices entwine is a testament to Donizetti’s masterful construction of vocal lines, creating a tapestry of sound that is both lush and engaging.
The production, directed with an eye for both humor and pathos, initially feels underwhelming, particularly in the opening scene where the village setting appears sparsely populated and lacks vitality. However, as the narrative progresses, the stage evolves visually, particularly with the entrance of Dr. Dulcamara in a gold vintage car, an anachronistic but delightful choice that adds levity. Simone Alaimo’s portrayal of Dulcamara is a standout, blending vocal agility with comic timing, thus enhancing the opera’s overall charm. The interplay between Alagna and Alaimo brings forth a vibrancy that is infectious, making the ensuing scenes a joy to behold.
Sound quality and engineering play a vital role in the success of this recording. The orchestral balance is commendable, with Evelino Pidò conducting the Lyon National Opera Orchestra in a manner that allows the singers to shine without overshadowing the instrumental nuances. The clarity of the recording captures the delicate interplay between voice and orchestra, ensuring that every grand crescendo and intimate moment is heard with precision. This attention to detail in sound engineering is particularly evident in the ensemble pieces, where the Lyon National Opera Chorus adds a rich texture to the performance.
As a representation of “L’elisir d’amore,” this DVD not only showcases exemplary performances from Alagna and Gheorghiu but also serves as a reminder of the enduring power of love as depicted in Donizetti’s work. The combination of a thoughtfully executed production, strong vocal performances, and quality sound engineering culminates in a compelling viewing experience. This recording stands as a significant entry in the catalog of Donizetti’s operas, offering both newcomers and seasoned enthusiasts a chance to appreciate the magic of bel canto through a modern lens.
