Composer: Frédéric Chopin
Works: Four Ballades: G minor, Op. 23, F major, Op. 38, A flat major, Op. 47, F minor, Op. 52; Grande Polonaise, Op. 22; Polonaise-fantasie, Op. 61; Fantasie-impromptu, Op. 66
Performers: Freddy Kempf, piano
Recording: Recorded in July 2000 at Nybrokajen 11, Stockholm
Label: BIS
Chopin’s oeuvre, particularly his piano compositions, occupies a distinct place in the Romantic canon, characterized by a delicate interplay of lyricism and virtuosity. The four Ballades, alongside his Polonaises and the evocative Fantasie-impromptu, embody the quintessence of Chopin’s emotional landscape, marked by poetic depth and complex technical demands. Freddy Kempf’s recording of these works presents an intriguing insight into a young pianist’s interpretation of this revered repertoire, revealing a burgeoning talent grappling with the intricate textures and emotional nuances of Chopin’s music.
Kempf’s interpretations are marked by a vigorous, almost balletic quality that emphasizes technical precision and nimbleness. His approach to the G minor Ballade, Op. 23, is particularly noteworthy; the performance resonates with an operatic tone, suggesting a narrative drama that unfolds with daring phrasing. The articulation throughout is crisp and clean, reminiscent of a cavalry’s disciplined maneuvers, yet it sometimes sacrifices the profound introspection that the music demands. The rubato employed is organic rather than contrived, allowing the music to breathe authentically, yet one might yearn for a deeper emotional volatility that could elevate the performance beyond mere technical prowess.
In examining the Grande Polonaise, Op. 22, and the Polonaise-fantasie, Op. 61, Kempf channels the transcendentalism associated with great interpreters like Horowitz, though he remains somewhat anchored in a youthful exuberance. The clarity of his fingerwork is commendable; every note is articulated with precision, creating a crystalline effect that captures the listener’s attention. However, this clarity occasionally comes at the expense of a more profound poetic sensibility. The sound engineering of this BIS recording is exemplary, providing a vibrant, resonant backdrop that enhances the nuances of Kempf’s playing. The piano’s tonal quality shines, allowing for both the delicate pianissimos and the powerful climaxes to emerge with clarity.
Comparisons with other notable recordings reveal Kempf’s potential while highlighting areas for growth. While he exhibits technical prowess akin to that of his illustrious predecessors, there is an absence of the lyrical depth found in the interpretations of legends like Wilhelm Kempff. This lack of emotional gravitas, particularly in the more introspective moments of the Ballades, leaves one anticipating future recordings where Kempf may explore these aspects with greater insight.
Freddy Kempf’s recording of Chopin is a testament to his remarkable technique and invigorating interpretations. The performances are imbued with an energetic spirit that is captivating, yet they hint at the promise of a deeper engagement with the emotional complexities of these masterpieces. This disc is a compelling snapshot of a young artist on the cusp of greater achievements, marking a significant step in his interpretative journey with Chopin. The listener is left with a desire for more, eager to witness how Kempf will evolve as he continues to grapple with this profound repertoire.
