Composer: Frédéric Chopin
Works: Preludes, Impromptus, Waltzes, Ballades, Scherzos, Nocturnes, Piano Concerto No.1 in E minor, Piano Concerto No.2 in F minor
Performers: Claudio Arrau (piano), London Philharmonic Orchestra, Eliahu Inbal (conductor)
Recording: Preludes: The Netherlands, April 1973; Impromptus: Switzerland, August 1980; Waltzes: The Netherlands, March 1979 and August 1980; Ballades: The Netherlands, April 1977; Scherzos: Germany, April 1984; Nocturnes: The Netherlands, March 1978; Concertos: London, October 1970
Label: Philips
Frédéric Chopin’s oeuvre is a cornerstone of the Romantic piano repertoire, encapsulating the nuances of human emotion and the technical possibilities of the instrument. Within the vast expanse of his compositions, the Preludes, Impromptus, and concertos stand out for their distinct character and emotional depth. The present collection, featuring the revered performances of Claudio Arrau, presents a compelling tapestry of Chopin’s musical language, bridging the 19th and 20th centuries through a seasoned interpretation that resonates with both historical significance and contemporary relevance.
Arrau’s interpretative choices reveal a deep engagement with Chopin’s intricate melodic lines and harmonic subtleties. His approach to rubato, while often personalized and at times expansive, provides a sense of freedom that enhances the lyrical qualities inherent in works such as the Nocturnes and Impromptus. For instance, the exquisite Nocturne in E-flat Major, Op. 9 No. 2, is rendered with a sumptuous tone that captures the melancholic beauty of the piece, while Arrau’s careful attention to the left hand ensures that it complements rather than subordinates the right. This balance is crucial in Chopin, where the interplay between melody and accompaniment is paramount.
The recording quality across the seven CDs is commendable, with Philips ensuring that the warmth and clarity of Arrau’s piano are preserved. The engineering allows for a full-bodied sound that captures the rich sonorities of the instrument, particularly in the concertos, where the London Philharmonic Orchestra under Eliahu Inbal provides a robust yet sensitive backdrop. The orchestral phrases, as highlighted in the first concerto’s horn passages, are well integrated, and Inbal’s direction brings a cohesive sense of narrative to the performances. The sublime bassoon solos in the second concerto are particularly noteworthy, illustrating a harmonic richness that enhances the overall orchestral texture.
When compared to other notable recordings, such as those by Artur Rubinstein or Martha Argerich, Arrau’s interpretations may initially seem less pyrotechnical, yet they resonate with a certain gravitas that many enthusiasts find deeply satisfying. Each phrase is imbued with a wisdom that reflects not only Arrau’s technical prowess but also his profound understanding of Chopin’s musical intentions. The Ballades, especially, benefit from his nuanced phrasing and dynamic control, offering listeners a captivating journey through Chopin’s emotional landscape.
This collection stands as a testament to Claudio Arrau’s legacy as one of the 20th century’s most distinguished pianists. His performances of Chopin are imbued with a sense of historical authenticity, informed by his direct lineage to the great composers of the 19th century. The artistry displayed throughout these recordings, combined with their high sound quality, makes this a compelling acquisition for both ardent admirers of Chopin and those seeking a rich, interpretative exploration of his piano works. Arrau’s contributions remain vital, encapsulating the essence of Chopin with a masterful balance of intellect and artistry, affirming his status as a true custodian of the piano’s romantic legacy.
