Composer: Various
Performers: Grimethorpe Colliery U.K. Coal Band / Garry Cutt (conductor)
Recording: June 2001, Dewbury Town Hall
Label: RCA Victor
The collection of film music arranged for brass band in “Brass 74321883932” serves as both a homage to the cinematic tradition and a celebration of the brass band’s unique sound. The repertoire spans several iconic works, each imbued with a distinctive character that reflects its filmic origins while showcasing the brassy timbre and exuberance that has made the Grimethorpe Colliery Band a household name, particularly after their appearance in “Brassed Off”. This album, while not venturing into the realms of the most revered symphonic scores, glimmers with charm and offers a fascinating juxtaposition of popular culture and musical craftsmanship.
The performances are marked by a palpable energy and precision, particularly in the rousing “Colonel Bogey” march, where the band’s nimble articulation and lively dynamics transform this familiar tune into an orchestral scherzo. The arrangement deftly balances counter-melodies, allowing the interplay between instruments to shine and creating an infectious buoyancy. Such interpretation choices are indicative of Cutt’s understanding of the brass band idiom, where clarity of texture often trumps sheer volume. In contrast, the “Dam Busters” March, while expertly rendered, leans more toward a traditional approach that may evoke a sense of heaviness, particularly in its conclusion. Here, the comparison to Sir Adrian Boult’s classic interpretation with full orchestra reveals different interpretive philosophies; Boult’s version exudes a sense of jubilation and catharsis, perhaps reminding us of the historical context of the original work as a morale booster during wartime.
The recording quality is commendable, capturing the ensemble’s rich sonority and ensuring that the brass instruments resonate with both clarity and warmth. Each note is articulated with precision, which is a testament to the engineering efforts of the recording team, as well as the musicians’ technical prowess. The acoustics of Dewbury Town Hall seem to lend themselves well to the bold sound of the brass band, allowing for a blend that is both robust and nuanced.
As one listens, certain selections, such as James Horner’s “For the Love of a Princess” and John Williams’ medleys from “Jurassic Park” and “Star Wars”, stand out not merely for their thematic material but for the inventive arrangements that highlight the brass band’s capacity for lyrical expression. The “Feather Theme” from “Forrest Gump” emerges as particularly captivating, providing a lush melodic line that showcases the band’s ability to evoke a range of emotions, a feat not often associated with brass ensembles.
The compilation of well-known themes does occasionally flirt with the notion of nostalgia, and while it may not include the grandiose works of composers like Morricone or Rozsa that might typically call for orchestral treatment, it nonetheless offers a vibrant snapshot of how film music can be reinterpreted through the lens of brass instrumentation. The absence of more “serious” themes does not diminish the disc; rather, it reinforces the idea that the brass band has a rightful place within the pantheon of musical interpretation, capable of breathing new life into familiar melodies.
This album stands as a testament to the enduring popularity of the Grimethorpe Colliery Band and their ability to engage with a broad audience through accessible, yet artfully arranged music. For those who enjoyed “Brassed Off” or have an affinity for the brass band tradition, this recording is not merely recommended; it is essential listening, providing a delightful exploration of how the cinematic score can resonate beyond the screen, transformed into a vibrant brass experience.
