Composer: Ludwig van Beethoven
Works: Piano Concerto No. 5 in E flat, Op. 73 ‘Emperor’; Cello Sonata in G minor, Op. 5 No. 2
Performers: Artur Schnabel (piano), Gregor Piatigorsky (cello), London Symphony Orchestra/Sir Malcolm Sargent
Recording: March 24, 1932 (Emperor); December 6 and 16, 1934 (Cello Sonata)
Label: NAXOS HISTORICAL mono 8.110640
Beethoven’s “Emperor” Concerto stands as a monumental achievement in the piano repertoire, embodying the composer’s innovative spirit while also reflecting the grandeur of the late Classical period. Completed in 1809, this work is a synthesis of virtuosic display and profound emotional depth, setting a high standard for the concerto form. Artur Schnabel, a revered figure in piano history, brings his deep interpretative insights to this legendary recording, reestablishing the piece’s true stature, which has occasionally been overshadowed by less compelling modern interpretations.
Schnabel’s performance, recorded in the atmospheric Abbey Road Studios, offers a compelling blend of technical prowess and musicality. His command over the piano is evident from the outset, where he navigates the first movement with a combination of strength and subtlety. The orchestration, under Sir Malcolm Sargent, is notably well-balanced, allowing both the piano and the orchestra to engage in a dynamic dialogue. The moments of “competition” between the piano and orchestra are particularly striking, with Schnabel’s incisive articulation against the lush orchestral backdrop creating a palpable tension that elevates the music beyond mere notes.
The slow movement, marked Adagio un poco mosso, exemplifies Schnabel’s ability to infuse even the simplest descending scale with profound expressiveness. His lyrical phrasing and exquisite legato are particularly noteworthy, as evidenced at c. 4’50” where the main theme unfolds with an emotional weight that is rarely matched in contemporary performances. The transition into the finale is executed with a masterful mezza voce that suspends time, a quality that seems increasingly absent from modern interpretations where the emphasis often leans towards overt bravura rather than nuanced expression.
Technical aspects of the recording reveal both its historical charm and its limitations. The sound quality, as remastered by Mark Obert-Thorn, showcases a remarkable clarity that is striking for a performance of this vintage. While some shrillness is evident—particularly in the first orchestral statement of the Rondo theme—this does not detract significantly from the overall experience. The orchestral textures, although occasionally crowded, manage to convey Beethoven’s rich harmonic language, providing a vivid backdrop for Schnabel’s pianistic brilliance.
The coupling of the “Emperor” with Beethoven’s Cello Sonata No. 2, featuring the formidable Gregor Piatigorsky, adds significant value to this recording. The interplay between Schnabel and Piatigorsky is nothing short of revelatory, as they engage in a telepathic dialogue that elevates the work to new heights. Piatigorsky’s passionate interpretation, particularly in the Adagio sostenuto, complements Schnabel’s pianism beautifully, establishing an intimate chamber music atmosphere that invites the listener into a private conversation between two great musicians.
Comparisons with other recordings, such as the more recent interpretations by contemporary pianists, highlight Schnabel’s unique artistry. His ability to convey emotional depth and technical finesse remains unmatched, positioning this recording as essential listening for both devotees of the repertoire and those seeking to understand Beethoven’s genius.
This Naxos Historical release provides a valuable opportunity to experience a performance that resonates with both historical significance and artistic integrity. Schnabel’s interpretation of the “Emperor” Concerto and the Cello Sonata showcases not only the brilliance of Beethoven’s compositions but also the enduring power of great artistry. Each repeated hearing reveals new treasures, affirming the genius of both the composer and the performers. As such, this recording is not merely a document of the past but a living testament to the enduring legacy of Beethoven and the profound artistry of Artur Schnabel.
