Arnold BAX (1883-1953) Violin Concerto (1937-38) Symphony No. 3 (1928-29)
Performers: Eda Kersey (violin), BBCSO/Sir Adrian Boult (concerto), Hallé Orchestra/Sir John Barbirolli (symphony)
Record Label: DUTTON Epoch Historic
Catalog Number: CDLX 7111
Recording Dates: 23 Feb 1944, Bedford Corn Exchange (concerto); 31 Dec 1943, 12 Jan 1944, Houldsworth Hall, Manchester (symphony)
Running Time: 72.31

The orchestral works of English composer Arnold Bax are brought to life in the historical release of his Violin Concerto and Symphony No. 3 by DUTTON Epoch Historic. With recordings taken from both the BBC’s archival stash and live performances, the intensity of Bax’s late Romantic style can be appreciated in full scope.

The musical narrative of Bax’s Violin Concerto in particular is well served by the notable skill of violinist Eda Kersey, alongside the BBC Symphony Orchestra directed by Sir Adrian Boult. The initial vigor and ardor of the opening movement are effectively balanced by the elegiac introspection of the slow central movement, leading to a captivating finale. Kersey employs a musical language that underscores the emotional intent of the music, while Boult’s command and firm familiarity with Bax’s tonal architecture shines through the orchestral accompaniment.

In Bax’s Symphony No. 3, Sir John Barbirolli and the Hallé Orchestra masterfully bring out the symphony’s vivid contrasts and fiery spirit. It’s a robust interpretation, showcasing Barbirolli’s intimate understanding of the English orchestral tradition, as well as the distinct energy and dynamic range of the Hallé Orchestra.

From a sound quality perspective, these remastered recordings, despite their historical age, are of a generally good standard, though as typically expected with historical recordings, some allowances must be given for its analog heritage.

Nonetheless, the set offers a unique understanding of a pivotal time in English music history, as well as the nuances of Bax’s compositional ability. It affords a rare and interesting opportunity to anyone wishing to explore the works of this often underrated composer and the notable players behind these notable performances.

In conclusion, through this recorded document, we can add Arnold Bax’s Violin Concerto and Symphony No. 3 to his expanding discography with enthusiasm, despite any technical distresses the source material may suffer. This DUTTON Epoch Historic release offers a rich perspective on Bax’s writing, as well as the mercurial talent that was Eda Kersey and the direction of both Sir Adrian Boult and Sir John Barbirolli.

Thomas Fasano is a freelance writer in Southern California.