Composer: John Adams, David Lang
Works: Short Ride in a Fast Machine (1986), Grand Pianola Music (1982), Are You Experienced? (1990), Under Orpheus (1989-94)
Performers: Netherlands Wind Ensemble, Stephen Mosko (conductor), David Lang (narrator), Hendrik Jan Renes (tuba), Sepp Grotenhuis, Ellen Carver (pianos), Ruth Holton, Lindsay Wagstaff, Kym Amps (sopranos)
Recording: Muziekcentrum Vredenberg, Utrecht 9-11 November 1994 and St. Judes Church, London 12 February 1995
Label: CHANDOS
John Adams and David Lang, both prominent figures in the American minimalist movement, have adeptly crafted distinct musical identities that extend beyond the confines of their stylistic lineage. This recording offers a compelling juxtaposition of their works, showcasing Adams’ effervescent orchestral textures alongside Lang’s more introspective explorations. The historical context for these pieces not only reflects the evolution of American music in the late 20th century but also highlights the individual pathways each composer has taken in their artistic journeys.
Adams’ “Short Ride in a Fast Machine,” a staple of contemporary orchestral repertoire since its premiere in 1986, continues to resonate with audiences through its vibrant rhythmic drive and exhilarating orchestration. The transcription for wind ensemble by Lawrence T. Odorn is an impressive feat, capturing the original’s spirit with a clarity that allows the intricate woodwind lines to shine. The performance by the Netherlands Wind Ensemble is nothing short of thrilling; their precision and vigor breathe new life into the work. The virtuosic execution of the opening fanfare sets a high bar, and as the piece unfolds, the ensemble’s ability to maintain control over the frenetic energy is remarkable. The recording quality is exemplary, with each instrument’s timbre distinctly articulated, allowing listeners to fully immerse in the soundscape.
“Grand Pianola Music,” conceived on a larger scale, showcases Adams’ characteristic blend of wit and sophistication. Its structural complexity, especially in the first movement where the sopranos’ ethereal lines interweave with the bustling piano motifs, demonstrates the composer’s deft hand at orchestration. The performance here captures the delicate balance necessary to navigate the intricate layers, with the pianos functioning as both rhythmic underpinnings and melodic voices. The nuanced interpretation keeps the listener engaged throughout its half-hour length, culminating in the exhilarating “On the Dominant Divide,” where the interplay between the two pianos creates a rich, almost orchestral texture. The engineering of this recording enhances the experience, placing the listener in the midst of the ensemble, thus heightening the impact of Adams’ vibrant sound world.
In contrast, David Lang’s works provide a starkly different aesthetic experience. “Are You Experienced?” is an intriguing exploration of consciousness, weaving spoken word with a unique instrumental palette that includes an electric tuba, played with flair by Hendrik Jan Renes. Lang’s use of dissonance and rhythmic dynamism sets this work apart from Adams, offering a more fragmented, yet compellingly narrative form. The performance expertly navigates the challenging textures, with each instrumentalist contributing to the overall tapestry of sound. The recording captures the subtle electronic manipulations within the solo cadenza, underscoring Lang’s innovative approach to instrumental color. “Under Orpheus,” while more static in its development, reveals Lang’s penchant for minimalist exploration through its tremolandi and harmonic stasis, creating a meditative atmosphere that invites reflection.
This disc serves as a significant document for both composers, offering a comprehensive look at their contrasting styles and philosophies. The performances are not only technically flawless but also interpretatively insightful, making this recording a vital addition to the collections of those interested in contemporary classical music. The engineering and production values are commendable, allowing for a clear and vibrant listening experience. Each work represents a facet of American music that is both timeless and relevant, encouraging listeners to engage with the complexities of modern composition. The juxtaposition of Adams’ exuberance and Lang’s introspection ultimately enriches our understanding of their contributions to the canon of contemporary music.
