Composer: Charles Villiers Stanford
Works: Irish Songs and Ballads (including selections such as “Trottin’ to the Fair,” “My love’s an Arbutus,” “The Londonderry Air,” and others)
Performers: James Griffett (tenor), Clifford Benson (piano)
Recording: Originally mastered by Hyperion; digitally remastered for CD release
Label: Hyperion
Charles Villiers Stanford, born in Dublin in 1852, remains a pivotal figure in the resurgence of English art song, with a particular affinity for the folk traditions of his native Ireland. This collection of Irish Songs and Ballads showcases not only his melodic ingenuity but also his commitment to vocal lyricism, capturing the essence of Irish folk poetry through a classical lens. The songs, drawn from his extensive catalog, reflect a deep engagement with the texts of notable poets such as Alfred Perceval Graves and Winifred Letts, effectively merging the realms of classical and folk music.
James Griffett’s tenor voice, characterized by its lightness and clarity, is particularly well-suited to the delicate textures of Stanford’s compositions. His interpretation of “My love’s an Arbutus” is marked by an exquisite phrasing that enhances the song’s natural ebb and flow. Here, Griffett’s ability to navigate the subtleties of the text is commendable; he imbues each line with emotional depth while maintaining a gentle, conversational tone. The contrasting energy in “Trottin’ to the Fair,” with its lively rhythms and playful cadences, reveals Griffett’s versatility, as he deftly shifts from lyrical introspection to exuberant celebration.
Accompanist Clifford Benson complements Griffett’s vocal line with a nuanced piano part that is both supportive and expressive. The intricate interplay between voice and piano is particularly evident in “The Irish Reel,” where Benson’s spirited playing mirrors the buoyancy of the melody, creating a vibrant tapestry of sound. The delicate lullaby quality in “More of Cloyne” is highlighted by Benson’s soft touch, allowing the text’s serene imagery to resonate with poignant beauty. Their collaborative chemistry is palpable throughout the recording, as both musicians exhibit a keen understanding of Stanford’s stylistic intentions.
The recording quality, having undergone digital remastering, presents a commendable balance between voice and piano. While Griffett’s voice occasionally recedes into the background, the overall clarity remains intact, allowing for a nuanced appreciation of the dynamics at play. The reverberation, while present, does not overshadow the intricate details of the performance, ensuring that the listener can engage with the subtleties of both the vocal line and the accompanying piano.
This release stands as a valuable contribution to the recorded heritage of Stanford’s works, particularly in the realm of song. While there are certainly other collections of Stanford’s songs available, such as those featuring distinguished artists like Ian Bostridge or the recordings of the British music label Chandos, this offering is distinct in its focus on the Irish elements that permeate his output. The thoughtful selection of songs, combined with the sensitive performances by Griffett and Benson, offers listeners a rich tapestry of Stanford’s artistic voice, shedding light on the often-overlooked treasures of the English song repertoire.
The compilation of these songs not only highlights Stanford’s compositional prowess but also serves as a testament to his enduring legacy within the canon of British music. The blending of folk idioms with classical forms in this recording provides a refreshing perspective on Stanford, inviting both new listeners and seasoned enthusiasts to explore the charm and depth of his Irish Songs and Ballads.
