Composer: Edvard Grieg
Works: Male Part-Songs: Jaedervise (Western Wind), Min dejligste Tanke (My Sweetest Thought), Aftenstemning (Evening Mood), Björneskytten (The Bear Hunt), I Himmelen (In Heaven), Impromptu Album for Male Chorus, op. 30 (12 tracks), Den sildige Rose (The Lonely Rose), Inga Litamor, Til Ole Bull (To Ole Bull), Valgsang (Voting Song)
Performers: Die Singphoniker
Recording: Studio 1, Bayerischer Rundfunk, January – June 2001
Label: CPO
Edvard Grieg, often overshadowed by his iconic Piano Concerto and the incidental music for Peer Gynt, emerges in this collection of male part-songs as a composer of remarkable depth and charm. The works encapsulate a rich tapestry of Norwegian folk elements interwoven with late Romantic sensibilities, showcasing Grieg’s ability to craft melodies that resonate with both beauty and emotional weight. The collection is timely, as it highlights Grieg’s broader oeuvre and begins to dispel the notion of him being merely a “two-work wonder.”
The performance by Die Singphoniker is particularly noteworthy. Comprising two tenors, a baritone, a bass baritone, and a bass, the ensemble delivers a level of precision and blend that is truly exceptional. Their intonation is impeccable, allowing the intricate chromatic harmonies of Grieg’s compositions to shine through with clarity and expressiveness. The ensemble’s ability to navigate the delicate tonal shifts in “Aftenstemning” (Evening Mood) exemplifies their interpretative prowess; the lyrical lines ebb and flow with an effortless grace that evokes the serene imagery the music conjures.
Technical elements of the recording are commendable as well, with sound engineering that captures the warmth and nuance of the singers’ voices. The balance between the parts is expertly managed, allowing the listener to appreciate the intricate counterpoint that Grieg weaves throughout these works. The studio acoustics lend a natural resonance that enhances the overall listening experience. The booklet accompanying the disc provides valuable context with informative notes and translations of the texts, making the music accessible to non-Norwegian speakers.
Grieg’s part-songs, while less frequently performed, reveal a playful spirit and a keen sense of narrative. The light-heartedness in “Björneskytten” (The Bear Hunt) and the whimsical “Children’s Song,” with its delightful depiction of miaowing cats and percussive drum sounds, displays Grieg’s ability to infuse humor into his music. The inclusion of the two Hallings, which are sung with nonsense syllables, adds an appealing contrast and showcases the ensemble’s versatility. Such choices reflect Grieg’s affinity for folk traditions while providing a modern audience with a glimpse into Norwegian culture.
This recording stands as a testament to Grieg’s artistry and the skill of Die Singphoniker. It invites listeners to explore a facet of the composer that is often neglected, yet it is rich in melodic beauty and harmonic sophistication. This collection not only reaffirms Grieg’s status as a composer of significant merit but also highlights the potential for further exploration of his lesser-known works. The combination of high-caliber performance and thoughtful programming makes this a highly recommended addition to any classical music collection.
