Composer: Reflections
Works: Joaquin Malats – Serenata Espanola, Francisco Tárrega – Capricho Arabe, Recuerdos de la Alhambra, Enrique Granados – Andaluza (Spanish Dance No.5), Danza melancolica (Spanish Dance No.10), La Maja de Goya (from Tonadillas al estilo antiguo), Valse poeticos, Isaac Albéniz – Sevilla (from Op.47), Mallorca (Op.202), Asturias (from Op.47), Antonio Ruiz-Pipo – Cancion y Danza No.1
Performers: David Russell – Guitar
Recording: TELARC CD-80576 [68:15]
Label: Telarc
David Russell’s “Reflections of Spain” presents a compelling exploration of the Spanish guitar repertoire, encapsulating a blend of well-loved classics alongside thoughtful interpretations. Each work selected for this album has become a cornerstone of the guitar canon, reflecting not only the rich tapestry of Spanish music but also the profound influence of the guitar as a vehicle for national expression. Pieces by Malats, Tárrega, Granados, Albéniz, and Ruiz-Pipo are imbued with the cultural and historical nuances of their time, highlighting the guitar’s evolution from a folk instrument to a sophisticated medium for classical composition.
Russell’s performance is marked by a deep understanding of the idiomatic qualities of the guitar, which he wields with both authority and sensitivity. His interpretations of Tárrega’s “Capricho Arabe” and “Recuerdos de la Alhambra” reveal a nuanced approach to the intricate tremolo techniques that characterize these works. The former, with its Moorish inflections, is rendered with an air of both reverence and originality, capturing the essence of its exoticism. Russell’s use of dynamics and phrasing breathes new life into these staples of the repertoire, while his execution remains technically impeccable. Particularly noteworthy is his choice to eschew the conventional high octave semi-quaver notes in “Asturias.” This decision, likely born from a desire to present a fresh perspective, may polarize listeners accustomed to the traditional interpretations but ultimately serves to highlight the work’s underlying rhythmic vitality.
The sound quality of the recording is exceptional, with an acoustic space that enhances the natural resonance of the guitar. The engineering captures the tonal richness of Russell’s performance, allowing the listener to appreciate the subtleties of his fingerstyle technique. The clarity of the recorded sound enables the listener to discern the distinct colors and textures that each piece offers. As Russell navigates the emotional landscape of Granados’ “La Maja de Goya,” the sound engineering provides a warm, intimate atmosphere that complements the lyrical qualities of the music beautifully.
While Russell’s interpretations invite comparisons with legendary guitarists such as Andrés Segovia and Julian Bream, he brings his own signature to these pieces. His tasteful execution and musicality stand out, even when juxtaposed with these iconic predecessors. This recording, while featuring familiar repertoire, offers enough of a distinct voice to merit a place alongside previous renditions. The care with which Russell has approached his own transcriptions demonstrates a mature artistic vision that seeks to honor the original compositions while also reflecting his individual artistry.
Russell’s “Reflections of Spain” is a fresh and engaging addition to the guitar discography, offering both seasoned enthusiasts and newcomers an opportunity to experience these revered works through the lens of an exceptional guitarist. His thoughtful interpretations, combined with high-quality sound production, elevate this album beyond mere replication of established norms, forging a new path that both honors tradition and encourages exploration. This recording is not only a testament to Russell’s virtuosity but also a reflection of the enduring power of Spanish music, ensuring that these beloved pieces will continue to resonate for generations to come.
