Composer: Gabriel Fauré, Claude Debussy, Joseph Marx, Richard Strauss, Sergei Rachmaninov
Works: Claire de lune (op.46 no.2), Mandoline (op.58 no.1), Après un rêve (op.7 no.1), Soir (op.83 no.2), Nell (op.18 no.1), Beau soir, Mandoline, Apparition, Chansons de Bilitis I-III, Nocturne, Nachtgebet, Selige Nacht, Pierrot Dandy, Ruhe, meine Seele! (op.27 no.1), Schlechtes Wetter (op.69 no.5), Leises Lied (op.39 no.1), Leise Lieder (op.41a no.5), Cäcilie (op.27 no.2), Zdes khorosho (op.21 no.1), V molchani nochi taynov (op.4 no.3), Rechnaya lilya (op.8 no.1), Son (op.38 no.5), Eti latniye nochi (op.27 no.2), Ne poy, krasavista (op.4 no.4)
Performers: Renée Fleming, soprano; Jean-Yves Thibaudet, piano
Recording: The Hit Factory, New York, 16-20 November 2000; 13-14 January 2001
Label: Decca 467 697-2
Renée Fleming’s “Nightsongs” presents a luminous exploration of the nocturnal, featuring works by masters of song from the late 19th to early 20th centuries. The selected repertoire includes beloved pieces by Fauré and Debussy, alongside lesser-known gems by Joseph Marx and Rachmaninov. This collection vividly encapsulates the multifaceted nature of night, ranging from serene to sensuous, and the artistry of both Fleming and her collaborator Jean-Yves Thibaudet illuminates the emotional depth inherent in these compositions.
Fleming’s voice, at this stage of her career, carries both the warmth and the technical prowess to navigate the intricacies of the chosen works. Her lush timbre finds a perfect counterpart in Thibaudet’s pianism, which is marked by a fluidity and an understanding of song that transforms each piece into an intimate dialogue. While the French repertoire opens the disc, offering a charming if at times overly robust interpretation, it is the later selections that resonate more deeply. Fauré’s “Clair de Lune” and “Après un rêve” showcase Fleming’s lyricism, although her interpretation occasionally risks straying into unintentional dramatics rather than the subtlety these pieces demand.
Thibaudet’s artistry shines through, particularly in Debussy’s “Mandoline,” where his nuanced voicing breathes life into the music’s impressionistic textures. However, it is in the selections from Joseph Marx—specifically the introspective “Nocturne” and “Selige Nacht”—that both artists find their most compelling synergy. Here, the delicate interplay of voice and piano reveals a profound sense of yearning that captures the essence of nighttime’s introspection. This intimate atmosphere contrasts sharply with the more overtly theatrical moments in Strauss’s lieder, where Fleming’s interpretations, though technically proficient, occasionally veer towards conventionality.
The recording quality is commendable, with a clarity that allows for the subtleties of both voice and piano to emerge distinctly. The engineering captures the warmth of Fleming’s voice while ensuring that Thibaudet’s piano remains an equal partner rather than a mere accompaniment. However, there are moments where the balance tilts, particularly in the more expressive passages where a tighter integration of dynamics would enhance the overall impact.
Comparisons with other notable recordings, such as those featuring Elly Ameling or Frederica von Stade, highlight a certain lack of nuanced engagement in Fleming’s interpretations of the Fauré repertoire. Yet, her readings of the Rachmaninov songs, particularly “Zdes khorosho,” reveal a softer, more introspective side that is a pleasure to experience. Here, the emotional depth of Rachmaninov’s music comes through with a richness that echoes the darker aspects of night.
A more consistent artistic vision might have elevated this project; while the technical achievements are undeniable, the emotional engagement does not always match the artistry on display. It is in the interplay between the two performers where the recording truly shines, with moments of exquisite beauty emerging from their collaboration. The collection ultimately serves as a testament to the power of song, though it leaves one wishing for a deeper exploration of the emotional landscapes that each work invites.
