Composer: Hilding Rosenberg, Jean Sibelius, Wilhelm Stenhammar, Edvard Grieg
Works: Congress Overture, Rakastava Suite Op.14, Chitra Suite Op.43, String Quartet in G minor (arranged for string orchestra by Thomas Liljeholm) Op.27
Performers: Musica Vitae, conducted by Michael Bartosch
Recording: Recorded at Hemmesjo Church, 14th – 16th May 2001
Label: Intim Musik IMCD 076
The recent release by Musica Vitae presents a compelling survey of Scandinavian works that, while underperformed, reveal a rich tapestry of melody and emotion. The collection includes Hilding Rosenberg’s Congress Overture, Sibelius’s Rakastava Suite, Wilhelm Stenhammar’s Chitra Suite, and Edvard Grieg’s String Quartet in G minor, arranged for string orchestra by Thomas Liljeholm. Each piece offers unique insights into the composers’ individual styles while showcasing the nuanced interpretations afforded by Bartosch and his ensemble.
Rosenberg’s Congress Overture is particularly noteworthy, as it occupies a marginal place in the concert repertoire despite its historical significance. Composed for the 1946 International Pen Club Congress in Stockholm, the overture deftly juxtaposes solemnity with exuberance, mirroring the uncertainties and hopes of post-war Europe. The performance captures the work’s dynamic contrasts with a commendable clarity, the strings articulating the somber opening with gravitas before seamlessly transitioning into the lively allegro. The ensemble’s precision and warmth of tone bring out the rich textures embedded in Rosenberg’s language, allowing for a deeper appreciation of his distinct voice in 20th-century music.
Sibelius’s Rakastava Suite is a high point of the record, embodying the composer’s affinity for the Finnish landscape and emotional depth. The performance of the three movements—each a meditation on love—benefits from the ensemble’s sensitive interplay. The first movement, a dreamy reverie, is executed with a languorous flow, allowing the music to breathe and resonate with the listener. The second movement, marked by its lively charm, is infused with a buoyant energy that invites comparison with Sibelius’s orchestral works. The finale, with its contrasting sections, is particularly impactful, further demonstrating the ensemble’s ability to navigate the emotional landscape with finesse.
Stenhammar’s Chitra Suite, though less known, showcases a more eclectic mix of influences, reflecting the composer’s diverse inspirations. The arrangement for string orchestra, featuring celesta, enhances the delicate interplay of themes that emerge throughout the suite. The Andante Sostenuto unfolds with a gentle lyricism that gradually builds tension, leading to a vivid Allegro Appassionata finale. Here, Musica Vitae’s performance shines; the players exhibit a keen sense of timing and dynamics that elevate the music beyond mere incidental score, making a strong case for its place in the concert hall.
Grieg’s String Quartet in G minor, in its new orchestration, is a revelation. The original quartet’s intricate counterpoint and thematic development are magnified in this version, revealing the symphonic qualities that have often been overlooked. The opening statement is delivered with striking power, the strings coalescing into a unified sound that embodies the emotional weight of Grieg’s vision. Each subsequent movement showcases the ensemble’s prowess, particularly in the poignant Romanza, where the nuanced phrasing elicits a profound emotional response. The arrangement by Liljeholm serves not only to enhance the sound but also to present Grieg’s work in a fresh light, emphasizing its inherent beauty and complexity.
The recording quality itself is commendable, with a natural balance that allows each instrument to shine without overshadowing the others. The acoustic of Hemmesjo Church contributes to the warmth and resonance of the performance, creating an inviting soundscape that immerses the listener in the music. This release stands out not only for its repertoire but for the interpretative choices made by Bartosch and Musica Vitae, who manage to breathe new life into these Scandinavian gems.
This collection of works, while perhaps lesser-known, proves to be a significant addition to the recorded repertoire, showcasing the depth and richness of Scandinavian music. Each piece is performed with a commitment that transcends mere technical execution, revealing the emotional cores that define these compositions. Musica Vitae’s artistry and the thoughtful programming make this album a recommended listen for anyone interested in exploring the vibrant landscape of Northern European classical music.
