Composer: Robert Crawford, Iannis Xenakis, Steve Martland, Luciano Berio, Petr Eben
Works: Hammered Brass, Variations on a Chorale, Quintet
Performers: The Wallace Collection
Recording: Recorded 2001, DDD
Label: LINN RECORDS CKD 162
The compilation “Hammered Brass” invites listeners into a multifaceted soundscape showcasing contemporary brass music, primarily spotlighting Robert Crawford’s intriguing piece that serves as the disc’s namesake. Commissioned in 1995 by ECAT with support from the Scottish Arts Council, Crawford’s “Hammered Brass” is a poignant reflection on the decline of artisanal metalworking traditions. Scored for a brass ensemble complemented by a diverse array of percussion, it evokes a meditative yet vibrant exploration of various metals through sound, imparting a sense of both nostalgia and modernity.
Crawford’s work unfolds as a series of character studies, each movement imbued with distinct emotional weight. The opening allegro introduces a playful yet controlled exchange among the instruments, capturing an atmosphere both lively and restrained. The precision with which the brass ensemble navigates the intricate textures is commendable, with the performers striking a delicate balance between exuberance and subtlety. The adagio movement, aptly titled “Pewter,” resonates with a plaintive quality, revealing a thoughtful introspection that is both poignant and richly layered. The use of glissandi in the trombone (bars 66-67) injects a dry humor into this otherwise somber landscape, illustrating Crawford’s wit and mastery of timbre.
The transitions between movements are seamless, showcasing the composer’s meticulous attention to detail. “Quicksilver,” despite its title, exudes a quiet eeriness, while “Gold leaf,” described as vivace, intriguingly subverts expectations with its delicate nature. The centerpiece, “Bronze,” stands out with its tragic depth, encapsulating the essence of the work as a lament for lost craftsmanship. The finale, “Burnished Brass,” while labeled allegro brillante, retains a pianissimo character that reinforces the overall subdued aesthetic. This nuanced approach to dynamics and texture sets Crawford’s work apart from more bombastic contemporary brass compositions.
While the disc features several noteworthy pieces, Iannis Xenakis’s “Khal Perr” presents a complex challenge. The title’s ambiguity mirrors the work’s multifaceted modern idiom, though its abstract nature can lead to moments of disorientation for the listener. Xenakis’s adeptness for brass instrumentation is evident, yet the piece lacks the immediate emotional connection found in Crawford’s composition. Conversely, Steve Martland’s contribution, while engaging with minimalistic techniques, tends to rely heavily on repetitiveness that ultimately diminishes its impact. The jazz-influenced movement offers a refreshing respite, yet it does little to elevate the overall experience.
Luciano Berio’s “Call” shines as a brief yet compelling interlude, showcasing the composer’s distinctive style with clarity and sophistication. The miscalculation in the accompanying notes regarding its duration does not detract from its charm; rather, it highlights Berio’s ability to craft concise yet impactful musical narratives. Petr Eben’s “Quintet,” on the other hand, emerges as a listener’s favorite, offering an accessible and engaging work that balances complexity and approachability, resonating with audiences on multiple levels.
The performances by The Wallace Collection are commendable, with each musician displaying technical proficiency and an evident camaraderie that enhances the ensemble’s cohesion. However, the recording quality, while generally good, presents a slight distance that may detract from the immediacy of the brass’s sonorous richness. The engineering choices could have benefitted from a more intimate microphone placement to fully capture the nuances of the instruments.
This compilation not only celebrates Crawford’s artistry but also serves as a testament to the versatility of brass music in the contemporary repertoire. The juxtaposition of the various works, each with its own character and stylistic approach, creates a rich tapestry that engages the listener on multiple levels. The exploration of themes such as nostalgia and craftsmanship resonates throughout, making “Hammered Brass” a noteworthy entry in the modern brass canon, affirming Crawford’s place as a significant voice in today’s musical landscape.
