Composer: Engelbert Humperdinck
Works: Hänsel und Gretel
Performers: Liliana Nikiteanu (Hänsel), Malin Hartelius (Gretel), Volker Vogel (Witch), Alfred Muff (Peter), Gabriele Lechner (Gertrude), Martina Jankova (Sandman), Milena Jotowa (Dew Fairy), Children’s Chorus of the Zurich Opera House, Orchestra of the Zurich Opera House conducted by Franz Welser-Möst
Recording: Recorded in Zurich in 1999
Label: TDK DVD Video DV-OPHUG
Engelbert Humperdinck’s “Hänsel und Gretel,” first premiered in 1893, occupies a unique space in the operatic canon, merging folk elements with the lush orchestration characteristic of late Romanticism. The tale, rooted in the Brothers Grimm’s fairy tale, reflects the composer’s ability to weave a narrative that is both enchanting and slightly unsettling, serving as a bridge for children into the more complex world of opera. This DVD recording, featuring a vibrant production from the Zurich Opera House, seeks to engage a youthful audience while also addressing the inherent charm and darker undertones of the story.
The visual extravagance of this production is remarkable, designed with an eye toward captivating the imaginations of children. The set, particularly the witch’s house fashioned from confections, is an inspired creation that balances whimsy with a touch of foreboding, effectively drawing in the audience. However, while the visual aspects are commendable, the musical interpretation is less consistently successful. Liliana Nikiteanu and Malin Hartelius embody the titular characters with a lively innocence, their performances particularly shining in the opening duet, which is delivered with a delightful folk-like simplicity. However, the emotional depth that should accompany their prayer and the Sandman’s aria is notably lacking, leaving these moments feeling more like mere formalities than pivotal emotional beats.
Conductor Franz Welser-Möst leads the Orchestra of the Zurich Opera House with a deft hand, although the orchestral sound often lacks the depth and warmth that one might expect from this score. The orchestration, rich in texture and color, feels undernourished at times, as the blend of voices and instruments does not achieve the seamlessness required to elevate the drama. Volker Vogel’s interpretation of the Witch, while an interesting casting choice, results in a performance that diminishes the character’s menacing potential. His tenor voice does not possess the gravitas necessary to evoke true sinister qualities; instead, he leans more towards a pantomime approach that undermines the darker themes of the opera. The parents, portrayed by Alfred Muff and Gabriele Lechner, are more successfully realized, with Muff’s jovial, yet responsible father figure providing a grounding presence amidst the fantastical elements.
The sound quality of the DVD is adequate, though it does not capture the full richness of the orchestral textures, and some of the vocal nuances are lost in the mix. For those seeking a more musically compelling experience, the recommended recordings include the esteemed versions featuring artists such as Larmore, Ziesak, and Schwarz on Teldec, or the classic EMI recording with Schwarzkopf and Grümmer, both of which present a more robust interpretation of Humperdinck’s score.
This production of “Hänsel und Gretel” succeeds admirably in engaging its intended audience visually and thematically. Yet, it falls short in delivering a fully satisfying musical experience, particularly in its characterization and orchestral execution. The imaginative elements will undoubtedly enchant children, but for a deeply satisfying musical journey, one would be better served by turning to more established recordings that capture the emotional and sonic richness of Humperdinck’s fairy tale opera.
