Composer: Johann Sebastian Bach
Works: Toccata and Fugue in D minor, BWV 565; Prelude and Fugue in E flat major, BWV 552; Prelude and Fugue in G minor, BWV 542; Passacaglia in C minor, BWV 582; Toccata, Adagio and Fugue in C major, BWV 564
Performers: Herbert Tazechi, organ
Recording: Teldec, May 1984, organ of the Court Church, Dresden
Label: APEX 09274 13732
Johann Sebastian Bach, a towering figure of the Baroque period, is often celebrated for his intricate counterpoint and profound emotional depth. His organ works, particularly, demonstrate a confluence of complexity and expressiveness that has captivated audiences for centuries. This recording by Herbert Tazechi offers a compelling selection of Bach’s organ repertoire, emphasizing both the structural ingenuity and the lyrical beauty inherent in these masterpieces. The Toccata and Fugue in D minor, BWV 565, perhaps the most iconic of Bach’s organ works, opens the program and sets a dramatic tone, drawing listeners into the world of Baroque organ music.
Tazechi’s interpretation of the selected works exhibits a commendable grasp of Bach’s stylistic nuances. His performance of the Fugue from BWV 542 stands out particularly, where he navigates the intricate contrapuntal lines with a lively tempo that maintains clarity without sacrificing momentum. Each entry of the principal theme is articulated with precision, allowing the listener to appreciate the interweaving of voices that is characteristic of Bach’s fugues. The crispness of articulation and the careful delineation of thematic material reflect Tazechi’s skillful command of the instrument, resulting in a rich aural tapestry that is both engaging and intellectually satisfying.
The recording quality merits attention, as it provides a solid foundation for the performance. The acoustic of the Court Church in Dresden contributes a pleasing reverberation that enhances the sonority of the organ, although it occasionally veers towards a lack of clarity in the more complex passages. While the recording does not reach the heights of some other celebrated interpretations—such as those by Helmut Walcha or Marie-Claire Alain—it nonetheless captures the essence of Bach’s music effectively. Listeners may find that increasing the volume reveals the full splendor of Tazechi’s playing, as the organ’s sonorous indulgence fills the space with a warmth that is both inviting and resonant.
Notably, the selection of works is well curated, providing a balanced representation of Bach’s organ oeuvre. While the Toccata and Fugue in D minor garners much attention, it is insightful to position it at the forefront, recognizing its cultural weight even as some scholars question its authenticity. This strategic choice serves to intrigue listeners, while the subsequent pieces, including the Passacaglia in C minor, BWV 582, and the Toccata, Adagio and Fugue in C major, BWV 564, further showcase the breadth of Bach’s genius. The latter, in particular, benefits from Tazechi’s nuanced phrasing and dynamic contrasts, illuminating the work’s emotional range.
A thorough examination of the accompanying booklet reveals useful notes, though the layout detracts somewhat from the overall presentation. Such details, while minor, reflect the broader issue of accessibility in classical music recordings. Nevertheless, at a super-budget price point, this CD makes for an attractive option for both seasoned enthusiasts and newcomers alike, providing an entry into the world of Bach’s organ music that is both stimulating and rewarding.
Herbert Tazechi’s interpretations, complemented by a well-chosen selection of works, present a compelling exploration of Bach’s organ repertoire. While there are moments where the recording could benefit from enhanced clarity, the overall execution is commendable, making this release an interesting addition to any collection. The richness of Bach’s music, combined with Tazechi’s interpretative insights, ensures that listeners will find much to appreciate in this engaging recording.
